Tuesday, March 17, 2015

into the grey afternoon

In the woods with the child his impotent rage subsided some. He breathed deeply among the trees and crouched with the child by huge fungi and fallen logs and pinecones and many other treasures, and he held her close to him and felt her warmth and her life against his skin and felt very stupid and sorry. He wanted to call her at that moment to apologise but he had left his phone in the house when he had walked out so hurriedly. The child ran into thick piles of orange leaves and kicked and threw them like tickertape into the grey afternoon, squealing as she did so with delight. He joined her and they threw the leaves together in great fistfuls and they stuck in their hair and to the fronts of their jumpers and they were so crisp like left toast and perfect, skeletal, and they fell into them and looked up laughing through the falling leaves and the mostly bare branches and to the sky, and the smell of the earth was deep and damp and tremendous.

He had hit his wife but not – and never – meant to; the argument was heated and ferocious and, he knew, worthless, but it happened and kept happening as those things – the worthless ones – do, impulsive in all the worst ways. The child watched television while in the kitchen they went at each other in cruel competition, the benchmark of caused pain raised ever higher with every shouted sentence. Their troubles were small but niggled persistently, money, ambition, attitude, just trifles, really. The timbre of her raised voice turned his stomach but not at the expense of love; it reminded him sadly of his age, of the youth they had shared but now lost. He was punishing and measured with it, traits that had worsened with the years. The argument lasted for only minutes but caused immeasurable damage. His wife cried and he offered no comfort for it felt false and wrong to do so. She had slapped him twice, the argument by then in its death throes, the energy subsiding; he should have let it pass but hit her after the second one, not hard but still. He felt as though he was watching it happen and not participating in its deployment, which of course he was. Such detachment was the cause of many arguments; “you knew what I was like,” he would say; “you weren’t like this”, she would say. They were both incredibly right. Her face was very betrayed clasped between her open hands. He took the child, all smiles, and they left. The air would clear everything.

There were several steep hills in the woods which had once extended for many miles north, the sites of sand and gravel extraction of generations ago. He sat at the top of one such hill and the child sat in his lap, and they slid down over and over again, running each time right back to the top and then sliding down again, the gravel cutting into the seat of his jeans, themselves weathered and left clammy by the disturbed topsoil. They balanced on logs and large root systems and he pretended to fall from them, flailing his arms and yelling, and the child found this incredibly funny. There were dogs barking in other distant areas but they saw not a soul. In spring the place was swamped with frogspawn, the dew pond and even deep puddles forged into the various declivities that lined the tracks all teeming with the stuff, and they would watch then with baited breath in hopes that the spawn would hatch and mature before the rising sun dried the waters to nothing. By the Autumn there was no frogspawn, and the muddy water of the dew pond was very still as they stood at its edge and caught their breath, jolted only to occasional life by the child’s thrown stones which rained in great handfuls one after the other like prophesy.

His wife’s face at the edge of the windowpane as he and the child drove away from the house seemed etched into his memory even as it happened. A symbol of all of his failures, he would see it when he closed his eyes; it reflected the minutiae of their lives back to him as his did to her, clear as mirrors. Everything else, all of it, now gone.

He lifted the child up into his arms, and kissed both of her cheeks, and she laughed, and he threw her up and caught her when she dropped, and she was mute with the excitement of that split second of flight, and he would take her home and would tearfully apologise to his wife, and kiss her softly, the kettle would be boiling, and he’d beg her forgiveness, and they would know that they were meant to be together as without doubt they were, for they, they had created this child, this perfect child, and know that these blips – for what were they but that? – could and would stop, and they would all three sit on the sofa or lay upon the bed and be so happy and strong and all would again be well, and he threw the child up, he was sorry, and he caught her, oh how peaty and damp the smell of the earth!, and he threw her up, he loved her, had never meant to hit her, and he caught her, and he threw her up, her shocked face frozen above his then gone ever so quickly. There was blood on his hands and the child’s body fell lifeless to them, almost weightless, face down; her little skull and her little brain were pierced by the lowest branch as he had thrust her up to it, she was dead in an instant. They said it as a comfort on television programmes: she died instantly, but it was no comfort at all, it was all too instant, everything happened in an instant, leaving no time at all for it to be otherwise, for him to make it otherwise. How quickly the joy of life becomes not. He turned the child’s body over and straightened the frown on her face and kissed it many times and walked back along the paths they had earlier shared to his vehicle and to more.

Monday, March 16, 2015

th' wilde bunch

For two weeks or thereabouts Th’ Wilde Bunch terrorised my terrace and the surrounding few terraces on the northern side of Norwich city. The sons of Buttaller Wilde – a known Norwich cad but also local history buff, self-published author and theorist and unlikely architectural authority – the Bunch were a bicycle gang of three, who pedalled the alleyways in torrents of profanity and smashed vodka bottles like an unfolding bi-wheeled apocalypse. I was recipient of their wrath on at least one occasion, where encircled by their bicycles I was forced to pledge allegiance to their intense breed of insularity, decrying the surrounding postcodes with a level of venom they considered suitable (a generosity – they assured me – only extended to me [they called me “el hombre nada”] due to my own possession and daily usage of a bicycle). They offered to ink me with the Bunch’s visual credentials, furtively showing a small pocket book containing a couple of rusted blades and some Bic Cristal ballpoint pens, but I declined their offer, stating that the integrity of the spoken pledge could not possibly be furthered by permanent physical modifications to my person, that the conversational bonds we had shared in the alleyway out back of my house represented my resolute word as pro administrator that would, if anything, be somehow undermined by the crudeness of their artistic methodology. They reluctantly consented to this despite the audible hatred in the many fuck off’s they muttered under their collective breath as I did just that.

In the early twilight, under the bright streetlights that lined the alley, they honked and drawled like copulating felines, stretched and fought and drank heavily, giving indiscriminate single-speed chase to anyone who happened upon them in those middling hours; they caught few, and those who had been determinedly refused to discuss the myriad degradations they had suffered, but took extensive sick leave in the time period following without exception. There was little doubt among residents that the large rancid stools deposited at precise intervals like perverse waymarkers along the several alleyways that comprised the Bunch’s dominion was their work, but the residents were rendered powerless both by evidential inconsistency and fear of reprisal, for at least – as it was – the stools were beyond the boundaries of their gardens (such small mercies!), a fact that could and would be altered with immediate and devastating effect by the incensed trio as situation demanded. With little sacred the wheelie bins were rooted with no single reason but depravity, the bags torn and jutting like black wispy fingers from beneath the lids, the stench of melon skin and full nappies caustic in the winds of the alleyways, the gold curled remnants of cat food pouches like priceless artefacts amidst the blooming weeds.

Buttaller Wilde had long before erected a shed which adhered to no architectural or spatial or even logical conventions in the garden of his over-alley property, and called it – after Chtcheglov – The Hacienda, a new conception of time, space and behaviours, a fluid structure unfettered by limits of construction or engineering or geology, entirely modifiable. It was, he said, a space of psychological furtherance and deep spirituality, a space “more conducive to dreams than any drug”, although what this meant in actual terms was unclear. The panels that comprised the structure were said to be mounted on a series of tracks and runners and attached to a network of gear and pulleys, and could be reconfigured at will like the pieces of some futile jigsaw puzzle. It was, he said, a one-off, and had been the first element and exemplar of the comprehensive planning and design he had submitted to the city council in his proposed bid to have Norwich recognised as the first experimental city attuned to a new idealistic understanding of the ways in which citizens respond to and interact with their cities, plans which were, of course, dismissed out of hand. Wilde was “out of touch”, they said, and “a fantasist” and “(query?) dangerous”.

Three perhaps five days into Th’ Wilde Bunch’s reign of nuisance the Hacienda burnt outside and Wilde sobbed as he watched it fall, the three boys running between it and the outdoor tap with buckets of water in an attempt to stifle the blaze, swearing as they did so, the mix of vodka and Chewits a potent one on their breaths. The heat of the blaze had burst the bulbs in the streetlight overhead and the glare of the fire was the only glare. The arsonist – for it must have been – was never determined, and police had explained how in fact every street was a suspect, given the recent behavioural anomalies of Th’ Wilde Bunch. Wilde nodded as the officer presented the facts of the bad news as it was and shook his hand tenderly as he left. “I'm sorry Buttaller,” he had said. “The Hacienda was quite a place.” Wilde nodded further, as though he may never stop.

He walked through the garden and out of the gate and into the alleyway, where the three boys stood in sombre reflection alongside their bicycles, the smoke from the Hacienda blaze still farting upwards. He pushed each of them to the floor and their bikes too, and began to stamp on the wheels with great might until the spokes had popped out and the wheels had begun to buckle, and he lifted the frames above his head and smashed them all onto the floor of the alleyway in a mess of severed cables and paint chips and broken reflector lamps. Looking at his boys on the floor, mutely crying and so dreadfully idiotic, encircled by the same stools they raised in arms against the residents of the surrounding terraces, he felt an appalling depression of a kind unknown since his wife’s death, when he realised to his sorrow that his plans were now, and always would be, far far greater than whatever they became.

Sunday, March 15, 2015

drink it up

Our conversations seldom progressed beyond the expected pleasantries but far beneath it all I sucked your cunt like a milkshake, and even in my imagination your porcelain face looked very thin and very sad, your crossed legs coiled perfectly around themselves like a fastened shoelace I desperately desired to open up.

Saturday, March 14, 2015

the unknown origin of the sweetened products

There were three of them, boys I suppose, all eating chocolate, slurping it half melted past their yellow teeth. They picked the stray brown crumbs from their sweater-fronts like scientists handling valuable resources and ate them down carefully. They were all completely bald and their skin sat badly on their frames like second-hand garments, and was puffy and bruised and yellowing also. The infrastructure of the township had been decimated around them when the bombs dropped as they slept in their beds several months earlier. Many civilians had survived but all had been left with similar disfigurements: bald and with skin of a now ill-fitting nature and with unmistakeable respiratory problems that rattled in their chests like single items in a saucepan. It was uncertain as to the origin of the chocolate; confectionary and sweetened products were amongst the first to go after the bombs had fallen and anarchy reigned. The three of them had simply come across the chocolate in sealed wrappers in the road at their feet as they went about their duties, and after very little consideration of its significance had devoured it as though at gunpoint, in precious quiet, before any other civilians could observe them. In fact similar arrivals of chocolate products had appeared in numerous streets around the decimated city, all of which were devoured with comparable immediacy and in secrecy by the finders of the products. The selfishness of man is paramount. It may transpire in the coming hours that the chocolate products had been dropped by the same forces as the bombs had been in the earlier months, that they were a second more calculating way to continue the decimation of the township by way of poison or transmittable disease, that the eaters would suffer immeasurable pain before their futile deaths; however, for the now bald inhabitants of the township this was an irrelevance compared to the fleeting pleasure of their consumption, of taking their lives into their mouths. Their rotting bodies would be testament, of sorts, to sugar.

Friday, March 13, 2015

a failure of memory

In bed the following morning I read aloud from Poe and we ate cold buttered toast in our underwear. Like a chimpanzee she groomed the crumbs from my chest hair and like a foal I pressed my nose into the warmth of her neck and slipped my fingers beneath her pants and let them rest there as I read. It must have been early for the sun was weak through the windows but I opened a can of tepid beer left under my bed and drank from it, then passed it over to her and she did likewise. We passed it back and forth and drained it quickly. After several chapters I left the bed and dressed and told her I had to go to work, a truth she acknowledged if disapproved of. She left the bed to return to her boyfriend’s room next door, and the structure of her body was very beautiful as she did so, the way one side of her pants was caught helplessly between her buttocks and her stomach was slightly round, and I tried so hard to commit these things to memory but as soon as the front door closed behind me they were gone, the memory of the memory more memorable than the memory itself.

Thursday, March 12, 2015

the organist's digressions

The stage was not one as such but several Ikea boxes pushed together, that he had been saving since a large online furniture purchase the previous year. He had set up two folding chairs on top of the boxes, one of which he used as a stand for the lime green Bontempi organ he had purchased on eBay for peanuts; it had chord buttons to one side that he tended to use exclusively, save for occasional attempts at notational intricacy that inevitably resulted in disaster or in the organ falling over in his exuberance. Since its purchase he had been trying without success to replicate much of John Carpenter’s memorable horror soundtrack work of the 1970s and 1980s but his attempts were poor and the sound laughable, his version of the Halloween theme, in particular, sounding like the theme tune to a daytime entertainment show with absolutely none of the taut oppressive atmosphere of the archetypal slasher of which the Carpenter soundtrack was an integral texture. On receipt of the organ he had stuck a printed greyscale promotional photograph of once-popular, now sexist presenter Michael Buerk to its casing with masking tape; “999” had profoundly influenced him as a younger male, left him with an almost permanent feeling of entrenched anxiety that he considered more blessing than curse, opening his eyes, as it did, to the unimaginable risk in even the commonplace. He watched Michael Buerk as he played and remembered; he cared not for the Buerk of today, whose reactionary aphorisms enflamed all of Guildford with righteousness; his feelings for and gratitude towards the man were of far greater consequence, a fact to which the printed greyscale promotional photograph adoring his Bontempi organ testified.

The days performance was what he termed his “parlour version” of the soft rock hit Total Eclipse of the Heart, a song he had always found almost uncomfortably emotional and rousing. The gathered audience waited for his muted shuffling entrance which he executed without a word like a shadow elongated by the slipping sun. He stepped over the organ’s frayed yellow power cord and took his position on the empty folded chair before it, the chair legs tearing with a jolt into and through the thick corrugated cardboard of the stage surface. Unfazed the commenced the performance, alternating between chords that bore little recognisable relation to the song as known, a lack of relation that was no further bolstered by the lyrics, when they appeared. Performed “in the vein of” Michael Winner they were conversational, shredding the melodramatic pomposity or garment-rending heft of the original to nothing, his pleaded, slightly whiney “turn around, bright eyes” sounding more like a frustrated owner half-heartedly encouraging its aged dog to walk back to the car quickly than the urgent declaration of some fierce and passionate love that Tyler had presented circa 1983. The performance’s impact was further stymied by his insistence at frequently deconstructing the so-called moment and fourth wall by unexpectedly stopping both his conversational vocals and his limited organ work mid-verse and even mid-line in order to explain what he would do differently with a more complete and elaborate selection of musical instruments and skillsets at his disposal. For example: “imagine, if you will, accordions”; or “you’re familiar with the drum kit sir? I envisage its presence here in some plenitude”; or “when I close my eyes I can hear, here, brasses of divine origin”; “recorder bits would pepper this coming section in spiralling solos of perhaps unexpected – given the limits of the instrument – clarity”, the like. Throughout the five or so minute performance he paused nine times to offer these elaborative deconstructions of the musical process, which resulted in his complete fantasies pertaining to what could be achieved with different personnel playing different instruments roughly five times the performance length of the song itself. When finished, he stood from his seat and the boxes further crumpled to flat beneath his weight. The Bontempi continued to hum through its in-built speaker; he crossed the room to unplug the power cord, as the on-off switch was damaged beyond usage and once the instrument was plugged in it remained very much ‘on’, and his foot caught in the piled boxes as he did so and he felt onto his side and pulled the organ down on top of him. The humming persisted; indestructible, the old Bontempi products, he thought proudly.

While he struggled to his feet the gathered audience of three, his immediate family, spouse and two young, left the living room without applause or a word of thanks, and he wrapped the Bontempi in a tartan blanket and began to fold away the cardboard for recycling.

Wednesday, March 11, 2015

the lad and the dignitaries

The lad piped up, always did when push came to shove, when the buck flapped, or something. “No no,” he said. “No no way way.” The assembled dignitaries fell immediately silent and the silence felt like a presence, heavy and damp and ultimately rancid; water swallowed into desert dry mouths was amplified in it, lowered glasses loud as day, the weight of their worn gold and other finery itself almost given sound, somehow, a dull creaking of straining bonds. The doorman nodded in response to the dignitaries unspoken commands and strode to the lad and slapped him across one cheek and then the other and then the originally slapped cheek once more; the lad’s head jolted with the impact, his cheeks immediately reddened in both shame and from the handprint left, the fingers like four smeared tentacles across his flesh. Even as the slap hit he felt himself jumping surprised at its volume and – over and above the degradation and pain – it felt like the worst part, the noise; it was both loud and as if separate from his existence. Mentally he composed apologies to the wood panelled walls, the buffed tabletop, the crystal tumblers, the assembled dignitaries; he retracted the latter as quickly as he composed it. The doorman offered the lad a tissue which he took and folded into a fine triangular point and used to calmly dab each corner of his mouth, then placed within his jacket pocket for later use. The doorman grimaced and slapped the lad again, and yanked the tissue from his pockets and tore it to shreds that he dropped like snowflakes onto the lad’s head, and then returned to his post by the doorway.

“We have a problem lad,” said one of the dignitaries. It might have been any of them. The lad smoothed his hand upon the top of his hair and a number of stray pieces of tissue fell from it; his eyes watered as the tissue fell past them, as for some reason they did when confronted with whiteness. He stood from the seat he had been directed into on his arrival and walked to the doorman and kicked him incredibly forcibly in the genitals. The doorman vomited and fell and curled into a foetal position and without apparent summons two further doormen entered the room and carried him from it, and one returned to take his place at the room’s only doorway. He gestured towards his own hand as if to suggest that he would slap the lad and enjoy to do so, if he was driven to or requested to by the assembled dignitaries. The lad considered this a mutually respectful position and returned to his seat. “To repeat,” said one of the dignitaries. “We have a problem lad. A significant problem.” The lad took in each of the faces in turn and spoke quietly. “The problem is not mine,” he said. “I do not care about your ‘problem’. I do not care about it at all.” The dignitaries resumed their silence, broken only by the creaking leather of the doorman’s shoe as he slightly redistributed the weight of his formidable body. One of them wrote in black ink upon a small piece of paper what appeared to be four or five words of uniform if otherwise unidentifiable characteristics; he read the words back to himself and when satisfied passed the paper amongst the other dignitaries. They read for many minutes despite the relative brevity of the assembled message. Once the final dignitary had read the message he screwed the piece of paper tightly in his right fist and handed it to the doorman who in turn placed it first into his jacket pocket and then – as though thinking better of it – into the dustbin; the dignitary stood from his seat, removed his suit jacket, which he positioned on a coat hanger, and with some assistance from the doorman climbed onto the tabletop, his shoes polished incredibly competently. The lad watched as the dignitary walked across the table in his direction, removed his braces, opened the waistband of his trousers and pulled them and his underwear down to his ankles and raised the shirt tails up slightly, and then with some discomfort squatted on his haunches and proceeded to defecate, his gaze unflinchingly – aside from a cursory glance to ensure the falling excrement did not catch the back of his shoes or trousers – upon the lad. The smell of the excrement was particularly unpleasant but the lad betrayed no unease. The doorman passed a compact box of tissues to the dignitary who wiped himself in silence once or twice and proceeded to dress himself with the same rigorous formality he had employed in the undressing process. He returned to his seat in silence. “Tell me lad,” said one of the dignitaries. It was the same dignitary who had spoken just moments ago, a spokesman of sorts, the lad assumed then as now. “Is this” – he gestured towards the excrement, that glistened on the table as though alive and not merely waste – “your problem?” The lad examined the excrement with some care. “It is not,” he said.

The doorman opened the door and the lad listened to the heels of his shoes clip-clopping away down the hallway. After two or three minutes the heels clip-clopped back towards the room in which he sat and the doorman re-entered accompanied by several people, the lad’s family, his wife, his little daughters, his aged parents, they were all present. The lad licked his lips slightly as the doorman moved down the line of gathered family members and slapped each of them very hard. The lad’s little daughters were sobbing as he did so and his parents appeared apologetic. Once the doorman had concluded his violence the dignitary asked the lad again: “And this? Is this your problem?” The lad smiled at his wife. “It is not.” The family were led from the room by the doorman. When he returned the lad stood from his seat and calmly picked the mounded excrement from the table with one bare hand and carried it to the doorman and smeared it over his face, and then down the front of his jacket. The doorman accepted his fate passively before once again exiting the room, immediately replaced by another, third doorman and the lad returned to his seat.

Now another of the dignitaries stood and this time walked to the window; he invited the lad to likewise. He pointed to a Ford Escort and the two of them watched as a mother and what the lad assumed to be her three small children entered the car. The dignitary took a very old mobile phone from his inside pocket and dialled a selection of numbers; when he depressed the ‘call’ button the car exploded, engulfed in the profound heat of its own burning metal, the persons destroyed. The lad saw burning flesh upon the pavement and severed child limbs. “This below,” said the dignitary, without any malice or frustration. “Is this your problem?” The lad considered his answer carefully, imagined an endless regression of worsening atrocities resultant of his meticulous honesty. “It is not,” he said quietly. The dignitaries looked amongst themselves at a further piece of paper written with a handful of neat text that was circulated among them. “Very well,” said the gravest-looking dignitary after a considered silence. “You may go.” The lad did.

Tuesday, March 10, 2015

my colleague

That despicable fellow is my colleague. He is a gutless fool, an abject tinker, a violator. He makes my skin slip and my buttock (or buttocks) clench inwards. I have no respect for that fellow and I find him repulsive across the spectrum. I yearn for the day when he isn’t – of voice, of earth, extant, etc. The days start with dread and worsen with the knowledge of his continuance, and in the dark mornings so black and cold I intellectually construct his demise. This demise always begins in the same manner and climaxes with incredible pain either physical or emotional or both as is my wont. The constructed demise affords me a warmth otherwise lacking in my personal and professional lives both.

He is in every way a grotesque, and if any person – even the most trusted – had related to me the traits of his personality and manner in a complete and truthful way I would likely dismiss them as nonsense, so very grotesque were they, like elements from a checklist of grotesquery so thorough that they have become almost parodic. He wanders the offices and corridors of our shared building like a giggling child, his oily greying hair glistening beneath the strip lights, his forehead a great tall beacon as smooth and white as a shell, and he gestures endlessly with nail-bitten fingers, towards equipment, people, paperwork and similar, gestures incomprehensibly. He sidles up and urges himself upon flanks and forearms and buttock-curves in ways so imperceptible that few, if any, perceive these urges, but they are there and I perceive them upon my own person and others. He inhales deeply the passing hair of the reception girl – whose firm perfectly bowed legs and profound shape filled her trousers as though the flesh itself yearned for release into waiting hands or mouths, the sinking between her two buttocks like the grassy declivity of a precious valley protected by government writ or other legislation, some site of specific interest – which is intensely fragrant with shampoo products and long and dark, an inhalation both creepy and idiotic in some balance; he revels in the heady incense and pictures beds creaking under their shared usage as she passes, and though she hears his sniff – his nose ever stuffy, unblown – like an aural marker of her passage (she moves so faintly: her shoes a whisper on the coarse mucky carpet! her tiny feet!) she either welcomes the purported harmlessness of his attentions as flattery or office good-humour or else presumes – and fairly – the sound to be symptomatic of some ailment or illness it would be insensitive or discriminatory or in bad taste of her to mention. He draws deeply through flaring nostrils and leans in slightly to the long dark hair, the intensely fragrant shampoo products, the firm perfectly bowed legs and profound shape etc., then groans aloud in reverie long after the clattering of her washed teacup has ceased and the girl has conscientiously returned to her post.

I once heard a preposterous story about my colleague and his past, a story suggesting innumerable facets of particular relevance to a dissection of his character, or what little character there was in evidence. The story related to his “collections”, myriad groupings of thematically linked items which were prevalent throughout his childhood and formative years and which took varied and differential forms each meticulously catalogued and stored. He collected anything, he said, it was within his personality, he couldn’t help himself. If he possessed even two of a thematically linked item he would begin collecting further exemplars of that item forthwith, until hundreds were in his possession. He collected rubbers, like most, figurines, pencils, stickers, egg boxes, bottle tops, dreams, also nails clippings (his own, finger and toe, the sum of some ten years clipping a good couple of centimetres deep and stored within a Ben Sherman tin that stank of feet), pirated VHS copies of banned videos (his collections reached a zenith in the mid 90s, when many horror or adult films now considered classics of the genre(s) had still not been granted release by the increasingly relaxed/culturally pliable BBFC; my colleague would respond to advertisements placed in the rear sections of underground publications, and then furtively receive printed lists on orange paper of the strange and wonderful films available to order, send postal orders to PO boxes, the incredible thrill of illegality, waiting for the letterbox to flap), hairs, almost used lipsticks (he inhaled the odour and was dizzy with lust), soiled underwear. His most unusual collection, however, was the focus of this story. According to the legend detailed at some length in the story as told – that had followed him in whispers for half a generation like a retarded youth – and that I had heard regarding my colleague’s most unusual collection, the items in question and of which there were between thirty and forty in number were what looked too all intent and purposes like pelts of some description, the attached fur or hair of varied colouring and the skin below still either slightly tacky from, one presumed, the freshness of the bloody flesh of its undercarriage or else dried and brittle and somewhat curled at its edges like the rind upon fried bacon rashers. The story made clear that these pelts were of human rather than animal origin and were in fact the scalps of children that my colleague had in some way accrued through unspecified means (perhaps through associates within the hospital portering service, student doctors, mortuary assistants and so on, if not through violent murder perpetrated by he himself). It was reported that he tended to this pelts with loving devotion, brushing and even styling the hair, carefully washing the clumps of blood and gore from them, storing them neatly rolled and fastened with lengths of ribbon of appropriate colouring for the shades in question, draping the pelts or scalps across the cupola of his own head like a ritualistic fancy dress, inhaling their varied and complex odours, tessellating them atop his pillow and sleeping against them. Although my colleague refused to indulge in details pertaining to these pelts and how they came to his possession, the story details how in his personal notebooks there were extensive and lifelike illustrations of between thirty and forty children, each adorned with what appeared to be “incision marks”, as well as gruesome and anatomically valid illustrations of the same children following the forcible removal of these pelts from their person(s). There is of course little if any evidence of these pelts today, or the incidents surrounding their origin; the story, however, persists, and beyond that is as credible (if not more so) than it has ever been, given the extensive catalogue of grotesque and socially anomalous traits and habits in which my colleague routinely engaged. Whilst a more patient person could investigate the veracity of this story in more depth, cross-referencing the claims and chronology with dead or missing children in the area at that time and the like, I do not consider this a necessary use of my time; the formal “truth” of the story is of little relevance, and as an allegory it remains especially potent and a more than sufficient indictment of my colleague’s character, should such an indictment be required. In the permanence of its legacy, fiction is often truer than truth, superseding the happened with the terror of possibility.

His ever moist palms are very warm and reek of flatus and their rank moisture and odour can be detected from several feet away in the relatively enclosed spaces of the office. On the thankfully rare but nonetheless real instances on which I have occasion to visit his personal office – archaically, small rooms and doorways rather than open plan spaces were the preferred format for this particular workplace – the smell was unbelievably repulsive, stagnant breath and captured flatus, and I caught sight of an eaten tub of barley or couscous or bulgur wheat salad in the wastepaper basket at the foot of his desk, crisp crumbs and streaked coffee cups also, and the olfactory cocktail made me woozy, pressed into awareness and higher function only by his happening voice. The tundra of his milky skin and beetroot lips was broken by feeble pointillist beard growth in troubled pinpricks, and as I listened to his instruction his face became a simple palette of the rain-soaked brush strokes and glooping oils of a moron, an entirely alien representation of some incomprehensible notion of human anatomy. I nodded at intervals throughout his soliloquy and left as soon as I could assume to be appropriate, expecting him to call me back or to admonish me, neither of which were the case. I gagged then swallowed a small amount of dreadful acid into and out of my mouth when I considered his hands, their digits, their singular stench.

After around six months of our working together my colleague was seriously injured in a car accident but a stone’s throw from our office. He was struck by a vehicle as he crossed the road and for reasons unknown the vehicle had failed to stop or assist him. I watched him struggling in the road as I approached the scene and thought about his hands and his gestures and the hair of reception girl, and I cycled past him as he lay sobbing at the edge of the roadway. He reached one hand out towards my wheels in a way that struck me as cinematic and pitiful. His pleas for assistance faded as I rode around the corner and towards my home.

Monday, March 09, 2015

the small child

There was a small child lived about the bridge area, took great solace in the passing water. His parents were long dead and he was only a child, but had built some life for himself from out of the troubles. He sheltered in places various and embraced their dissonance and the idiosyncrasies of each and every night, and sometimes woke with the sun and at other times was kicked awake by drunks or drenched in their falling urine or stunned by their bayed insults or sometimes by the rain or other elements, for the climate about the bridge area could be cruel as most things could. He survived on scraps found or sometimes stolen, pizza crusts, the spilt salad from kebabs hastily necked, wilted lettuce, tomatoes of ferocious blandness, thick circles of raw onion, ends of banana shed with their skin, single chips trampled flat at one end, a ramshackle diet of the unwanted or the dropped. He adhered to a strict code of personal ethics which prohibited theft, a code to which he tried hard to adhere, his diet built exclusively of the wares of the street, but sometimes basic physical need would overtake him and supersede the efficacy of the code, and he would creep invisible into the larger shops and pocket very small items and apologise under his breath as he did it, and later sob himself dry as he chewed them slowly, the products cloying and unbearable as they wove their guilt around his mouth like cobwebs. He bathed in the waters of the river longing for the holy, and shivered naked on the bank waiting for the air to dry his skin. He watched other children walk with parents through the daffodils and blooming crocuses and felt some scorn but he would not blame them or wish their happiness absent. The world would gain little should his misery be shared. He waited patiently for the day the water would rise to take him up.

Monday, September 15, 2014

smiling I blame TV

You can now purchase a copy of my second story collection smiling I blame TV in paperback here and as an ebook here.

It contains a total thirty-seven items (stories, sundries, ephemera, miscellany) and is an attractively rendered and formatted package.

The text dates in places from as far back as - I believe - 2002 and continues right up to the present, but weeks old (though with a sizeable gap during which much of the stuff from so long! godspeed! so long! was written), and I would consider parts of it (which is to say: smiling I blame TV) to be amongst by best and most complete work.

So you might as well. Buy the fucking thing.

Sunday, July 27, 2014

love letter

Besides, the document lost none of its emotional heft from his accidental inclusion of the file name – “love letter example” – pasted into the header of each printed page, and if anything actually gained the same (emotional heft), although whether tragedy or futility were the specifically intended emotional responses to so personal a document is unclear though doubtful.

She was not unattractive by any commonly accepted definition, and yet there was – he knew – something carnally unappealing about her face. The only way he could justify it to himself was to say that, should she have a brother, she looked precisely as he (which is to say her brother) would. Indistinguishable. Not a manly face, he assured her by florid letter, definitively non-masculine, but a face identical in shape, angle and unspecified physiognomy to the brother she may or may not have. Somewhat hard, he offered, unsoftened by the straight blonde bangs that were themselves the only thing that might plausibly differentiate her from the hypothetical immediate male relative of shared parentage but as yet unconfirmed existence. It wasn’t to say he wouldn’t do it, of course he would, simply that things might not feel... “right”. As he did. It. Hers was a noble face, he was at pains to point out, but nonetheless the face of a tennis partner (male) with whom he might have forged a moderately decent doubles career at school, comforting and encouraging to the same degrees as the symbolic team that face had come to represent, and as taut with nostalgia and the semi-homosexual undercurrents and gestures that competitive sportsmanship so often nurtures in its most determined practitioners, with passion (for the game), relief (for the game) and uncontrolled endorphins (from the game) blurring in a melting pot of tangible, physical pleasures that were then mentally rerouted into eroticism, the only viable and comprehensible explanation for the wayward frenzy and delirium of excess arousal they left in their wake post-match. Lithe muscle glistening, devotional trust, showers shared &c. A mountainous face, not in scale or proportion but in gravity and permanence, in geological import. Ruffle the bangs and pop on a baseball cap and visualize a light mottle of stubble and the face easily, very easily became of male character. The space between trousered legs bore exactly what genital fruit, on short commutes of bus then walk?

The composition of the document itself took him considerable weeks to complete as he soon found the best sentences and most charged or memorable turns of phrase were those he penned while half-heartedly (which is to say vaguely) masturbating, and while this onanistic attention began as literarily productive mild caresses of his own primary area, a tease of sorts that maintained his focus, it soon escalated into full-throttle, full-length, full-tank milking gestures that were inevitably, hastily followed by climax, the typing required for successful letter writing superseded by rough self-stimulation and the easy flow of romantic confessional by the vague guilt and helplessness that accompanies ejaculate on self or surrounding furniture or worse. Inevitably the mood, some would say the impetus, would be gone, shed like his spilt seed coagulating beneath the angle-poise, and he would not return to it for some further days, until bus journeys and their associated and convoluted carnal categorisations would rejuvenate the spirit within him.

I decided to write for I’m not much of a speaker. Facial tics, hand gestures, slight alterations in body language are more my thing. A little says a lot when it comes to the body. It’s beyond language really, something altogether more primal. I can’t seem to find the words in spontaneous vocal interaction, they simply don’t come, and I come across as somehow deficient. Besides which, I find it useful to have a paper trail in my personal life as I’m expected to in my professional life, for cross-referencing and future clarifications. Conversational certainty is a conduit for romance.

Did you ever play Did I Ever? The unfulfilling parlour game where every comparison is prefixed with the phrase “did I ever tell you”? I find it fits neatly with my passion for three-part lists and is a great ice breaker at work functions. Did I ever tell you that I like my coffee like I like my women – bitter, strong, (very) serious. Did I ever tell you that I like my tea like I like my women – limp, milky, comforting. Did I ever tell you that I like my bacon like I like my women – crispy, burnt, salty. Did I ever tell you that I like my apples like I like my women – hard, tart, pink. Did I ever tell you that I like my TV like I like my women – mindless, colourful, artificial. Did I ever tell you that I like my movies like I like my women – long, confrontational, rich in metaphoric subtext. Did I ever tell you that I like my rescue dogs like I like my women – doting, grateful, cautious. I could go on but can’t bear the typing.

Thing is, there are in all our lives really but several instances that make us. Make us us. As a kid I was fat. Fattish. Fatter. As a fat kid I was into Meatloaf, rock singer not dish, obsessively so. I have a propensity to obsession, me and everyone. Good, or maybe bad news for the obsesessee. Bought all the tapes I could, it was the mid 90s, even the ones with awful shit-grade low res cover art, the close-up facials, the sheer fleshiness of the thing, the accidental hair (like short hair given remarkable length overnight, unexpectedly). Weird that a male vocalist of such minimal or unorthodox attractiveness levels though impressive vocal range (cf. I’m Gonna Love Her For Both of Us climax) would forever bind – some might say hamper – his recorded output with these kinds of celebration of his own face and nothing but (such covers were not framed within a bigger more intriguing scene, specks of humanity within a wider occurrence, instead the face was the scene itself, each more porcine and absurd than the last, mere inches away from Meat pulling a thumbs up and yelping uncontrollable laughter), but bind – some might say hamper – it he did. The covers have aged poorly but the music, some of it, still today stokes the same fire in my belly as it had through the 2 x 1.5w speakers of my youth’s tape deck. I bought all the tapes as a fat kid, videos too – remember the brute physical majesty of those ‘old’ media formats? You could strangle yourself on the unwound reams of tape chewed and spat within your walkman, run your fingers through it like an ocean of the black magnetic hair of your most tender lover. I yearn for media forms that accommodate feeling, that accommodate even the potential of death within their very structure, not the vacuous hyper clean emptiness of the digital era – and played them religiously, entirely absorbed in Meatloaf’s gluttonous excesses (of musical style, theatrical and – almost certainly – gastronomic appetite) and profoundly sweaty delivery, like some heavyset bastard genuinely on the edge of an immeasurable danger or physical collapse. Belched every line like his last and let’s face it, it could have been, if you saw the size of the fucker, face strained sunset red with every long note and hair plastered to the sides of it, half-drowned in his own gravy. I listened to those tapes and watched those videos, a fat – fatter – kid, and felt the vitality and frank arousal of the kind of gothic-tinged love of which Meatloaf was a key advocate for every single (semi-attractive) one of the flat-chested micro-skirt wearing female classmates whose names filled the pages of my A5 journals in neat graded columns punctuated by carefully drawn scenes of future marriages – I have always been a traditionalist at heart – in the game show format, each a raucous celebration of lust (entirely alien to me at the time of course and – to my lifelong shame – for some number of years following [a concept alien no longer, I would hasten to clarify at this juncture, as the quality of my penmanship will no doubt testify; the pen is as one with the genitals, as it were and is]). They gave me hope where none had previously taken root, and I found solace in the successes and sexual conquests of the everyman, the fattest man that Meatloaf represented, found solace in a weird filthy world where even a sweating unfortunate could do his business and reap the rewards both feminine and financial; they were reason enough for life to proceed. I had my first self-induced orgasm to a Meatloaf tape, standing up and singing with the kind of abandon that a parentally ill-considered lock on one’s teenage bedroom door affords; I was incredibly surprised by the outcome, the emission, terrified really (you’ll recall that heavy pornography was once less ubiquitous than it is today, leaving my sexual education during teenage years inadequate and strictly Hollywood-sanitary).

Likewise I recall with a clarity startling alongside my otherwise absent memory being kicked as I lay upon my family’s bathroom floor – which for some reason I was wont to do after baths and showers, my skin scalded in great red patches by the heat of the water as I like it to be – as a child maybe twelve by my exhausted father; he grilled me about some trivial annoyance or minor behavioural anomaly and I had laughed in the kind jerking uncontrolled snorts that dreadful fear incites, my two hands clasped across my mouth and face in a pointless attempt to conceal my anxious mirth, and as each of his questions or commands escalated in volume and severity both, my laughter became to my father’s ears not a symptom of the fear I felt at a vital family moment of such abject helplessness but ever more raucous and mocking and disrespectful. Coherent answers silenced by laughter he kicked me weirdly in quickening toe-punts and I squirmed beneath him, and I remember the point at which he lost it for a second or so and saw red in his life that totalled three bloody kids gone awry and the waste of bloody time it all was and drew his leg a little further back than was justifiable to kick me very hard in one side and I doubled over and cried and he watched horrified and apologised gently and helped me to my feet, apologised further and left the room hurriedly, his face scarlet with remorse of such ferocity as to conversely make me feel irredeemably guilty for whatever I hadn’t done. Kicked into guilt. Such instances of this type of low-level domestic abuse were equally foundational to the construction of me the man; the disappointment in my father’s vacant tan eyes as the shoe came down scorched inside me like sweat marks on an old pillow, the realisation that me myself and the things I did made him yearn for more of all. It remains a heavy burden to bear, the aspects of I that make me nothing.

Some significant portion of the document was devoted to a rigorous self-assessment of his own character profile, focussing primarily and at length on a quite repetitive list section detailing perceived strengths and weaknesses of disposition, a list which he referred to several times as evidence of “a demonstrable humility”, a reference which itself undermined any semblance of same and which was also one of his higher documented strengths. Too tedious to detail, the list nonetheless represented self-reflection on the most minute – and therefore entirely uninteresting to all those but self – Proustian scale. Attentive temperament. Arms “satisfactory” (unanimous). Starched penchant (meaning unclear). &c.

I suppose what I’m – he offered weakly, towards the end (relatively speaking; the letter was perfect bound for fuck’s sake), spent, depleted – trying to verbalise is fundamentally this: I’m attracted to you as is man to his synonymously-gendered sports partner, in short and at once both not and desperately. Only sexually also, as in I would and want to. Have a sexual undertaking with your direct involvement. Exacerbate your genitals into high function.

You put me in the mind of a distant acquaintance of mine, though without the beard, a proficient drummer but flawed conversationalist (I imagine you as the opposite but can verify neither assumption); or of a particular TV detective from the box sets, whose name and especial ability has always escaped me – awash in the consonants of all the others – in a way that his arousing taste for institutionalised violence, misogyny and misogynistic violence hasn’t (which, incidentally and importantly, with you as female, does not make me a misogynist myself, simply an audience or rather: one who can ‘enjoy’ the artistic representation of the misogyny of others as an effective and politically disengaged aesthetic tool); or of many other faces and persons prevalent within my interior, such fond and tender memories birthed in the limitations of your – our – UK genetic tendencies. I acknowledge the apparent bias towards male points of reference, and the plausible disparity between my own purported heterosexuality (as I believe is demonstrated by this document) and my near-painful desire to entertain your intimate bit in the fullest possible way irrespective of the already-referenced slightly male physiological elements on which some part of your attractiveness hinges, and yet I would like to reiterate for absolute clarity that despite the rather comforting presence of those more male characteristics that defy categorisation and are really more of an unspecific essence within your persona, it is very much the woman within you and your clothes that I want to teach to love me.

Its not me it’s you. Or rather. My error. A Freudian… thing, if ever there was. Slip. A proficient slipper, by J. Sainsbury et al. I am. The Proficient Slipper, produced by St. Michael (who was St. Michael? In the retail – which is to say non-biblical – context the name stuck in honour of the Belarusian Jew founder [one of two] of Marks and Spencer; what greater honour than the manufacture of decent quality clothing and foodstuffs under [one of] one’s name[s], or a variant on it [and self-canonization to boot!]). Before your time, probably before mine too, but I have a memory for branding, logos, jingles. Verbally speaking, orally, I am a hell of a mistake. Of course I meant, it’s not you it’s me. Clichés pertinent for a reason, because they’re right, or can be. The way I was formed. It is me.

This bus is a grim microcosm. Absolute Christ. It’s a bad climate on wheels, moving death at unnoticeable speeds through city streets ill-equipped for it. Hot, cold, wet, sad. These silent faces are little silent enough, yours a beacon in the morning and to a lesser extent the afternoon. I watch your hand clasp the holding rails provided and imagine perhaps my genitals in its place gripped between your long fingers. I heard your voice when you spoke to a friend on the telephone when I followed you from the bus one night in secrecy; it was dark and you wore a hooded red coat and your face was like a perfect charcoal sketch. I was surprised by its pitch, your voice, high and abrasive, blurted out like an error message from the mouth your face held, and it made me think of the determined sobbing of the young, and was interestingly all the more attractive because of it. I followed you for some streets and bathed in its discrepancies before I didn’t.

Ah Sally – can I call you Sally? It’s my mother’s name, which breaches nearly all of my internet security options; I trust you Sally (but will update my internet security options) – the fit of your trousers is bad – can you see it? full length mirrors can be hard to find; I should know, my jeans fall from my body like an infant’s soiled nappy – but also fine; the black office-smart fabric sinks as it should and rises too over your amorphous parts. I perceive you through windows across the barren commercialism of the business park, outside the bus, possibly elsewhere, perceive your telephone manner and confident receiver technique, the easy way disdain twists your features simian and tight. I perceive you working me well like a piece of ancient machinery, and I know or feel sure that in this perception I must love this person, must and can, that she must and could love me, given the pertinent facts or information which can accommodate fully reasoned decision-making. Love feels so much like indifference – I can hardly be bothered to talk about it but do religiously.

There were a great many pages of text. They grew from nothing from the simplest thought, which instead of being dismissed or left to flounder was elevated by bus travel into immense significance. His erratic leaps between oppressive inanity, focus and casual psychosis, as well as passages of great tenderness, would make for necessary reading around the department and of course later the office. It would become a talisman for the singular cruelty on which the office thrived, printed affirmation that although things could be better they could and would be much worse.

I best sign off, Sally. Endings are my second weakness, right after beginnings. I prefer the middle but so rarely get there, and never get past it. That’s a promise.

Could I please drool my junk like weary rivers through the canyons of your chin? Your tired bus eyes scream bed like a declaration that fells the structure.

All the very best.

Friday, January 10, 2014

crows

The world was and frail. The crows circled with authority, as if they alone were privy to some terrible truth. The tree groaned beneath the staggering weight of hundreds, who immersed its branches and its leaves beneath the creeping shadow of their cumulative feathers, beaks, their unified call that like mockery overpowered and drowned the setting sun as fingery tendrils of incomprehensible void. Through the mist of the afternoon the fenlands belched and gargled geriatrically, soil slurped in digestive inevitability by the encroaching waters and the struggling weirs and pumping stations that peppered the peaty earth like explicit admissions of human failure. The moving crows formed perfect spectral shapes as one, their bodies swallowing the trees they had selected, circling the branches in immense murders, the air heaving and itself alive with the life of their taut bodies. Their call bled the earth singularly with breathtaking precision. For many months the crows had been gathering, the place chosen in cawed consensus.

The four boys watched the crows from some hundred feet away, felt safe within their pocked dirty denim and once-white trainers, felt the safety of numbers and of distance both although they were but tokens as empty as everything in truth. Hermanus, Grünther, Knid, Petron. Hermanus was the ugliest of the four by some unspoken measure, the leader also, his aesthetic shortcomings compensated handsomely in territory and power. He embraced his end, invited it, but the three were fearful when the intent of the birds became manifest; at that point things were already too late as machinations were underway like maniac graffiti daubed crudely on surfaces in the drying blood of the boys themselves. Hermanus had planned the excursion for some weeks, since shortly after the crows had settled. They were all he saw, their black feathers as spilt ink outside his windows as though the glass bore carrion behind its structure and he were it, their shapes stuttering into certainty when he pressed the palms of his hand flat into his eyes for seconds until visions came. The crows became a preoccupation, an obsession. He had been in psychic conversation with them since their unexpected arrival in the earlier months of the year and heard their voices guiding him, sowing the seed – so it seemed – of their imminent destruction. He heard them clear as a radio in the very centre of his mind. He was the chosen vessel for their ends, they said. He alone would understand the need, they said. He himself was of crow, though he wouldn’t know that and wouldn’t hope to know the implications of what it meant to be so, they said. They said infinite amounts. They were forceful and kind and they explained to him just how it would and had to be. He received their wisdom hungrily, a receptive host. We are foremost, they said. Your scraps form our feast, your forgotten boxed riches our idols. In his ignorance Hermanus laughed, thought the crows in their scavenging inferior somehow, failed to see the permanence of their adaptability. The birds chided him. Our immortality now depends upon a sacrifice of both our own and yours, they said. The tropes would be familiar, they said. Well-peddled dogma, hackneyed creed: from death cometh life or similar. The bloods of bird and man – boy – must assemble as one plasmatic whole. Hermanus expressed his incomprehension and the crows chided him further. They instructed him to bring three sacrifices to their roost, for the sacrifice of their own demanded likewise. His spiritual reimbursement was, they said, obvious, and resultant in the privilege of his communications with the crows, and his financial reimbursement would take form from the huge stockpile of silver items that the crows had collected by illicit means during their short tenure in the tree outside the village, small unnoticed items of significant cumulative worth, reimbursements both that should more than compensate for any moral quandary that might otherwise have been associated with their very specific requests. The birds had spoken and with it the concept of the birds must be destroyed. It was their behest. He drew schematics under the guidance of the crows, felt in his arms and hands their wings and dreams, tried to turn pages of notes and vivid diagrams into meaningful narrative explication but it was an impossible task. He alone would comprehend, this was the way the birds intended it. The visions were very clear. The roosting birds would fall as prey to the air rifle, the pop of its action the catalyst of change.

Hermanus had selected Petron for his father’s history as scoutmaster, a role of some significance in villages such as the one the four boys inhabited with others. Petron’s father had used his short appointment – and his long-term psychiatric depression and the episodes it induced within his person – to skilfully construct his own death liberated of culpability. He led the scouts under his supervision into the tying of a perfect noose knot from the same heavy rope with which they practised basic knotting works, and to then assembling a simplistic gallows by threading the rope around the branches of aged trees as necessary and demanded by the task. The scouts relished the challenge of assembling a machinery of death, although at the time had failed to realise the purpose or intent of their scoutmaster’s challenge, which they had considered a purely hypothetical structure – albeit one whose function lay solely with cessation – whose danger existed only as abstraction. After the scouts had retired to their tents Petron’s father proudly examined the viability of the gallows and deemed it highly viable, ascended the tree and tightened the noose around his neck, then stepped from the branch and into great silence. The scouts retrieved his rigid slightly swinging body at first light and carried it back to the village in shifts, rousing each other with sung songs and the recitation of local fenland shanties now all but forgotten. They remained detached throughout the walk, as men far older than their years, thrust into placidity by the demands of trauma, but the veneer of function decayed as soon as the body had been set down in the doctor’s office, and the boys were destroyed as only youth can be, the smell of the dead man seeming to linger on their fingers and uniforms for months after. Regardless of this tragedy or perhaps because of it, Petron was still permitted access to the arsenal of low-impact weaponry adopted by the scouts as part of their rituals, as though somehow a substitute for a self-dead father. Hermanus had aggressively specified the necessity of Petron’s firearm as related by the crows, and Petron carried the weapon part dismantled in his school backpack. It was the catalyst of change, Hermanus urged. The plastic cylinder of accompanying pellets rattled percussively with their footsteps.

Of Knid were expected accidents; his propensity towards harm of the unintentional type was famed throughout the whispers of his small fenland village, and this expectation had itself become indistinguishable from whatever disparate traits could be considered to conform to a personality. As a younger child he had fallen from an old iron railway bridge while hastily fooling around among the secrets of its arrangement and was found bleeding from one ear and hysterical many hours later, the source of the blood “inconclusive” and “of no medical concern”, although for many of the village’s inhabitants it was representative of either a notable decline in Knid’s already highly questionable intellectual faculties or, for the more superstitious individuals, who still formed a majority of belief in fenland villages such as theirs, the beginning of something far more unnatural. Some months after this he had been dodging the handful of cars that crawled his residential street over the period of one day – a game whose fatal slowness made it unlike any other, and for which the absolute and dedicated level of patience it required of its players was meditative in intensity – and in the apathetic light of afternoon had been struck at a speed greater than the dimensions of the road permitted. The driver had fled, and Knid was located by his mother after twenty or so minutes had passed, lying between two parked cars and seriously injured, his pelvis all but destroyed. After exhaustive surgical reconstruction of the bone he spent weeks convalescing with a pelvic brace that jutted its metal framework from his flesh, itself puckered around it, doughy and youthful and ever so white and futile and flawed. There were others too numerous to recount; one such occasion – though not an accident in the strictest sense, the unplanned, unnecessary and wholly avoidable nature of the occasion permitted such status – saw a male friend angrily pursue Knid across the landscaped stepping stones that formed a footpath across their headmaster’s lawn, and as their mutual feet transferred their bodies across the path Knid’s friend had to the school’s jubilation punched Knid in the front of the face once with every step, some nine or ten punches, while Knid’s arms remained resolutely at his sides, his focus remaining on walking safely backwards away from the raining blows and highly personal vocal abuse, the gruelling finale of some petty short-lived feud that had driven their friendship to its close. Though the punches had been ineffective as violence, as psychically damaging instances they were of profound value, and Knid himself felt broken by the accumulation of instances, as though his entire life had been crystallised and as such rendered worthless by one fundamentally tepid if persistent beating, and he wept peacefully in the immersive loneliness of the school car park, cowering behind teachers’ estate cars and yearning for change.

Grünther was of orthodox upbringing and spoke prayer as he walked, and both he and his family were of some considerable mystery to the village. Little was known of the intricacies of their home life and no other of the village’s several hundred inhabitants had ever been granted invite into their home. The house itself had reputation as an unsavoury place, but the logical inconsistency of such a far-fetched belief held in correspondence with the very public knowledge of the religious commitments Grünther’s family chose to observe (such observances being of no secret and representing in fact the one certainty the village did hold pertaining to the family) left the inhabitants uncomfortable with their own assumptions and generally silent on the topic as a result, fallen prey as they did to an incompatibility of duelling superstitions. What little clues were glimpsed between cracks in the thick curtains that Grünther’s family hung at their windows provided no insight of value as the decor appeared normal if austere. Grünther was noted to be a boy of some intelligence. It was of little surprise that the crows’ presence in the trees outside the village and its associated symbolism took on a biblical significance for him in ways he found impossible to articulate.

The son of tender teachers, Hermanus had the most conventional upbringing of the four, which is why – he thought – the crows came, psychic conversations being the privilege and indulgence of the normal and the sane. His mealtimes were opulent and his needs more than met, but it was for these facts and others that he longed for something greater than the offerings of his parents’ middle class values, than the sacrifices they had made for his benefit could allow them to comprehend. Comfort spawns discomfort was an aphorism he wrote carefully onto his bedroom wallpaper with neat ballpoint script, and amidst the complex love he felt for his parents he resented the same and actively sought the struggle he believed would give meaning to his at the very least occurring life, and with him Hermanus selected three as vacant and as racked with longing as he himself was.

From their vantage point the crows appeared as memories torched and flitting ever upwards with the movement of the winds, black specks of the charred present lost to history, seeking escape from the weighty earth. At Hermanus’s instruction Petron began to extract the components of the weapon from his backpack and pass them piece-by-piece to Knid, who assembled it with surprising authority and craftsmanship, carefully inspecting the action as he did so. He passed the completed weapon to Hermanus, who loaded it with a single pellet. Grünther watched the huge array of birds set against the dreadful sky and wept in silence. They walked slowly towards the roosting tree amidst the calling of the crows that grew in frenzy as they approached. Hermanus closed his eyes to better listen, to hear the crows, sought their myriad voices and asked their guidance, but for the first time in many months their conversation had fallen silent, dissolved in the open country that flanked the village without moral structure or spatial limit into mere sound. When they were close enough to the tree to smell its bark in the cool one of the crows landed several feet to the side of them and cocked its head to one side and then the other then looked at the sky and then inspected them intently and processed its findings with neither prejudice or expectation, its sharp black eyes blinking mechanically as it conducted its research. They watched it watch them, its fast movements felt strobe-like or demented in the then failing daylight. Grünther felt moved to reach for the bird. Its eyes seemed to widen at the cocking of the weapon and Hermanus fired; the pellet struck the bird in the flank and it keeled to one side, its wings flapping and trying wretchedly to struggle it back to its feet but somehow very still. Hermanus handed the rifle to Knid, who dismantled it wiped the pieces clean with a blackened handkerchief before returning them to Petron, who was openly crying and disgusted at the cowardice of his voyeuristic role. Hermanus stepped to the crow and waited for its wings to cease, watched its laboured breathing and waited for clarification or encouragement, which were not forthcoming. He recalled the clarity of their earlier conversations and tried to remain detached from the horror of the physical world. He peered into the terminal black depths of the dying bird’s eye and lowered his foot onto its head. In the soft ground the head found no traction or give and only sank beneath his sole, impressed into the peat like archaeology, the bird’s growing distress increasingly tangible. Hermanus instead stamped onto the head with a force that felt so vulgar until after five or six stamps the wings finally stilled though remained vertical, erect, their feathers caught in the breeze, the bird then dead, what little blood there might have been immersed in the quaggy mud.

Hermanus looked to the birds in the tree that gathered in their hundreds or even thousands and watched the four boys very closely. The eerie silence that had accompanied Hermanus’s act of violence had been replaced by the calling of the crows, an ominous chorus. Grünther thrust his gloved hands to his ears, his eyes wild and desperate like a near-dead creature, the assured truth of his own mortality suddenly explicit. Petron couldn’t bear to look and didn’t, yet felt the piercing shafts of the crows’ mutual glare tear through him like radiotherapy, his body left grated and hollow by his own tears and by the will of the crows. Knid methodically wiped his hands with the same streaked greasy handkerchief with which he had cleaned the requisite parts of the air rifle, each stroke further dirtying the skin beyond salvage. The beautiful plumage of the headless crow was spattered with mud. Hermanus felt dread throughout his body; he raised one hand and spoke to the crows.

“Is this not as we agreed? I said,” he said. “‘is this not as we agreed’?” The crows moved amongst their number, their branches, the tree exclaiming in anticipation, but said not a word. Perhaps a score or so of the birds took flight and encircled first the tree and then extended their orbit closer toward the four boys, cawing loudly as they did so. Others followed suit until the sky darkened further with the weight of the birds, the tree too still heaving black and alive. Although they didn’t come within some feet of the boys their presence was felt like eyes in an empty room. “I’ve done as you asked,” he said. “To the letter. Brought the sacrifices, initiated the sacrifice.” Knid, Petron and Grünther moved instinctively together. “You came to me. You said I was the vessel, the conduit. You led me here to this. Speak to me now, tell me what to do.” One of the circling birds dived upon Hermanus and scratched a talon deep into his cheek; another pecked the side of his neck, a third the other cheek. Hermanus screamed and flapped his two hands around his face trying to swat the birds like bugs. There was a dreadful smugness to the crows’ aerial acrobatics. Alone, as individual birds, they were nude, but as one murder their elegance was breathtaking, their arrogant nature entirely justified by the majesty of their movement. The sound of the working wings was oppressive nonetheless.

“You’re insane,” said Knid.

“The silence of the crows is palpable,” said Petron.

“No,” said Hermanus, smearing blood from his wounds in streaked avenues with the back of one hand. “The crows’ future is paramount. From death cometh life.”

He cupped the same hand to his ear as though to listen to distant whispers. He nodded, waited, consumed the silence that boiled but inches below the din of moving birds. The conversations always followed dire silence and would again.

Knid grasped his chest very quietly and fell to his knees, then forwards into the wet earth at his feet, his cheek pressed tenderly into the ground like a lover’s embrace. His peaceful face spoke of nothing. The shock of the certainty had finished him, his body unscathed by the work of beaks. Hermanus smiled broadly and gestured to the dead boy, pleased with his achievements as he hoped the birds would also be. Petron fell to his knees alongside the body and rested a hand around the shoulder, then felt for a pulse and felt none. He cursed the birds under his breath and Hermanus above it. Crows had begun to perch upon Knid’s body as though in its crude peaty grave its limbs and parts had themselves become extensions of their roost. A single crow flew at Petron and sank its beak into an eye, which pierced like soft cheese beneath the keratin blade; Petron attempted to grasp the bird, to forge death with his hands, but the beak twisted and delved further until there was little or nothing to feel and he sagged to the floor as empty clothes, the bird still clasped to his face like a failed prosthesis. The bird and others like it took their positions upon the fallen Petron, and they pecked lazily at the warm flesh. Their beaks wore moustache-streaks of still wet blood and carefully peeled Petron’s parted flesh in layers like the leaves of a book. The two bodies were drowned amidst scores of the cawing birds, the black sea of their flapping wings alive and roaring in celebration and in violence. His associates submerged beneath crows Hermanus clapped his hands.

“The sacrifice occurs,” he said. “As it would and must.” He turned to Grünther who had taken several steps away from the two dead and from Hermanus himself. The bible’s presence was of minimal comfort and the daylight drew short and left the grey smudge of evening like idiot brushstrokes across the landscape, their own skin aflame with an eerie whiteness, dying beacons immersed in shadow. All seemed burnt, he thought, and over, such was the light or lack of. His throat dry as onion skin he turned to Hermanus, whose face bled on.

“It must be three, Grünther,” Hermanus said. “You know this.” Grünther nodded. Things would happen, of that much he was certain. “We all of us have a role,” he continued. “But it must be three. So it was spoken, so it is.” Grünther nodded again and watched the crows, still now and silent, and waited for resolution. He heard a very remote motor engine and the water in the earth. The two living boys both stood, both waited at the whim of the crows; it was far too late to do anything but.

Perched atop Petron’s fingers one crow then cawed, and others followed. In the failing light the caws became motion, and they each took flight from their place upon branches and bodies and encircled Hermanus, who for an instant felt the might of the crows’ power behind him and felt invincible, a bastion of future. Grünther hastened backwards, away from the scene, the crows urged him to do so. He heard them clear as a radio in the very centre of his mind. His loyalty would be rewarded, they said, in both spiritual advance and riches should he wish. He was the chosen vessel for their ends. He edged back further and saw realisation strike Hermanus like apocalypse. The crows entered Hermanus’s mouth, his eyes and ear and little anus, first one-by-one then en masse, their huge muscular bodies contorting through paths into the strained boy, pushing themselves distorted through any and all distinguishable orifice, the taut and stretched-thin skin almost translucent against the woe-black feathers of the burrowing birds. He could not scream and would not. So it was spoken. He felt their comfort even as they devoured him, felt such peace. His body roared and rippled with them, with scores of consumed crows, that pulsed beneath his flesh like enlarged cancerous organs given life, and as he finally bulged mute with their distended presence they burst from his stomach in a frenzy of incomprehensible symbolism and soared to the skies with deafening grace, to the skies!, Hermanus’s spent face left vacant and aflame in the scarlet gore of his own giblets, his hollowed abdomen but a crater of scrap parts and soiled feathers.

Grünther spoke further silent prayer and turned from the three bodies and the swarming crows. The crows observed Grünther and bade him farewell noiselessly, and commenced their roosting ritual as he fled across the field and back towards the village alone. His silence would be respected there, the absent boys gradually forgotten. Three absences absorbed into the mythology of the village, into its mists and puddles, its perpetual damp. Life goes on. The wanton pursuit of information that had escalated with the passing years was a demand deemed improper by the village and actively discouraged, truth sunk unmarked beneath the swampy earth, community secrets. The quiet life goes on.

Many years later Grünther would ordain himself Parson, a title long redundant in the fenland villages from which he primarily operated, but the memory of the crows would shadow even the scriptures when his eyes closed as they had to, their voices ever louder than the whispers of God, drowned as these were by the rustle of Bible pages, by the happening of life.

Saturday, September 28, 2013

the mars bar party of everyman dreams

This summary is not available. Please click here to view the post.

Tuesday, August 20, 2013

so long! godspeed! so long!

you can now buy a copy of my ebook so long! godspeed! so long! here

it contains fifteen stories and one novella and can easily be considered reasonable in pricing structure.

Wednesday, July 31, 2013

barry chuckle's experience projector

(taken from Herman Henschel Koprowsky's "Encyclopaedia of Imagined Objects")

This is too long to post on here, so here's a link to a PDF version.