Wednesday, June 27, 2012

the house by the sea

1. Old Friends

It started very quickly, and precisely, and swept then across the country with an efficiency unsuited to the scale of the isle. “Society’s problem”, or just the problem – forever italicized – for short. It began as something for the media pundits and the chat show hosts, to latch onto and lampoon in comedy panel shows – as though the unexpectedness of the facts was or could be rendered humorous by the weathered tropes of comedic performance, by overplayed gestures and posturing and TV sanitized skits, tying the really real horror of the problem to the kind of vaguely politicized but always sanctioned (for fear of a Twitter reprisal) ritualistic mockery that now passed for comedy, tepid-left-wing stances sitting uncomfortably with any tangible lack of political acuity – but it was also desperately serious, made all the more so by the thermodynamic inexplicability of the infection.

Irish hosts as familiar as old friends were prized out of retirement by the handful with huge cash sums to front-up light and uninformed analysis shows on the unfolding issues (with pop performances and incorporating the lottery draw results), their well-blended Celtic homosexuality – of the British kind, always one step removed from the actuality of physical intercourse and clashing genitals and instead extending only as far as affected vocal inflections or considered grooming practices, primetime queers alien to their own rectums – considered the perfect counterpoint to national fear, until their voices reached such frenzied pitch themselves that they were untransmittable, ultrasonic, and sounded to viewers at home like silence amidst the ambient hum of the studio noise.

They skirted the problem as best they could, entirely at a loss as to how they could report it. It prolapsed panic like a pending cold snap. As long as the TV stayed on and broadcasting as normal then social life could continue also for at least a while, until the proper decisions had been made. Newsnight and similar were scrapped in the meantime, whole teams on sabbatical, it said in rounded font on a rolling banner at the bottom of the screen during the ‘golden-age’ repeat they slapped on in its timeslot. Too sombre was the truth; at a time of crisis broadcasters had a responsibility to protect the people from themselves, not to deny fact but to bury it beneath proudly saccharine human interest editorial slants. They remixed the theme tunes to the major news bulletins at one, six and ten o’clock to include handclaps and ukuleles, which put a weirdly positive spin on the implied gravity of a digitised globe, on the urgency of truth, and the anchors shed their suits and ties for altogether more casual attire, dressed for a night at the local more than the reportage of something bizarre and terminally serious, designer bleached jeans and untucked shirts, for God’s sake, you could smell the sickly aftershave through the screen, Fiona Bruce poured like a decoy into trousers so tight that it made you feel as though you’d been privy to some unalterable physiological truth. This was no crisis, it was amazing, it was beyond modern!

Even the most treasured of our TV scientists were stripped of budgets and relegated to the unwatched channels, took to uploading videos of their own social commentary online to be lost among the tat and animal clips. Producers found the vehemence of their panic and the uncertain severity of their hypotheses to be incompatible with their light broadcasting ethic, and so rather than provide a forum for dialogue, to piece together some kind of understanding of what was happening, they axed the lot of them, the nation’s brief flirtation with digestible popular science programming stamped out as quickly as it had begun. With neither the time nor the rigorous conditions in which to run tests and construct computer models and formulate data for peer review their words had sounded like the most corrupt kind of fantasy against the quintessentially British propriety of approved news items, like the blurted doggedness of militant atheistic fundamentalists – as if there was or even could be such a thing – out to disrupt the natural (which is to say traditional, blinkered) order of the world, to instil the doubt and fear of the century into a stagnated viewing populace all terrified of even the possibility of change and so, as in the case of even mild snow fall, left completely ill-equipped to deal with it. Speculation achieves nothing became the mantra of the media, a determined stance that ensured the widespread ignorance that allowed the problem to spread so quickly. And the problem remained: the dead walked.

2. Waiting for Linda

He waited for Linda in the front upstairs bedroom of his terraced house, watched for her in the street outside through the mostly boarded-up window, through minimal shafts between the affixed lengths of wood or through long cracks or circular holes left by dislodged knots in the wood itself. The road was packed three and in places sometimes four abreast with abandoned cars all smouldering in the morning, cars littering the pavement and wrapped around toppled front walls, a sea of twisted metal and exhausts, of sagging spent airbags and shattered glass that crunched underfoot like freshly packed snow, a silver-blue sea of automotive paint pigmentation in dappled crests that rose and fell with the moving sun, pools of near-black blood slowly drying on the pavements into gruesome assertions of territory and each flanking odd disembodied limbs left decomposing and overlooked in the frenzied abundance of ready meat.

Although he hadn’t been outside for several days he was sure that most if not all of the other houses on the street were empty. Once the problem had spread east the panic had been immediate and brutal and everything had quickly collapsed, the commonplace intricacies of modern infrastructure at once became something distant and alien, codified through then-incomprehensible Latinate symbols to be unearthed in some future archaeology, and even instinctive deep-rooted human traits, the propensity toward some structured society, towards a higher rationality or a moral sense, all were erased with devastating efficiency once order fell. People had tried to flee the city in huge swathes of senseless flesh with no plan and no foresight, had all bolted for the one final certainty that their vehicles represented. As the roads congested rapidly and traffic reached a standstill they sat in their thousands, bumper-to-bumper in cyclical futility around both ring roads and waited, blasting their horns in some new unlearnt but mutually existent communication method and shouting incomprehensibly into their own steering columns and wood-effect dashboard interiors, too confused to just leave their cars and run. They were easy pickings when the dead came, their still warm flesh torn easily from the bone like tender barbeque, the sounds of snapping ligament and stripped tissue and of snarled mastication all part of a hideous symphony, the car horns gradually silencing in rows with the advancing dead, eyes manic yet resigned darting from mirror to mirror and watching the inevitability of their fate as though a film, or as happening to somebody else.

He had known a guy whose wife worked low-level in local government and had received the official brief, essentially ‘do nothing’, that had outlined the fundamentals of the emergency, bare minimum kind of stuff that insisted on muting the threat, putting the word “emergency” in inverted commas throughout as though it was an act of incredible irony to even use it. It offered nothing in the way of guidance, or advice, or planned tactical responses. This is how things probably might be. By the time the brief had been circulated to local councils the problem had already spread too significantly to contain. It had at least given him the time to nail the boards up, more than most.

He had watched the neighbours go armed with kitchen knives and utensils, their two cats in transporters, a few bits of clothing stuffed into supermarket carrier bags, and make a run for their Nissan, but a couple of dead were on them before the engine had even turned over, their persistence taking out the windows and pulling the girl out through the shattered remnants, her legs snagged on the seatbelt, hanging upside down, her long hair reaching down to the road. It was hard watching but harder not, his forehead pressed against the cold wooden board. They bit down straight into her neck and he saw the vocal chords working with the screams that stopped when bare hands tore her stomach open, her guts spilt and slopping over her breasts and against her face so terribly apologetic as they then fell wet into the road like dirty washing, picked and eaten and she watched it before the end happened as it would. The boyfriend was paralysed in the pointless driver’s seat, one hell of a carving knife gripped in both his shaking hands, he stuck it into one of them when they had got his door open, right in the chest, and nothing changed, the knife sunk to handle in putrid flesh. An abundance to overcome and all of it for nothing. His slender sides gnawed. The dead shuffled unsatisfied away in isolated clusters that composed a dominant species, the two cats secured within their plastic transporters on the back seat of the car. He could hear them through the closed bedroom window, and somehow the synchronization of their pitiful and methodical whining over the screams and the engines and the groaning of the dead that like the very wind filled the air and so travelled for miles was much worse than anything else he had seen or heard in the hours preceding it. He wanted to rescue them from the car but knew he couldn’t, that it would be foolish to do so and that there was no kind of life for them now.

He spooned cold rice pudding from cans in his kitchen and ate it gratefully waiting for Linda. She arrived hours later sometime in the afternoon, he saw her picking her way silently through the street as though the soft soles of her trainers didn’t even touch the ground beneath them, her navy blue parka jacket ripped at the pocket just as he remembered and hood pulled right up over her head. She held a screwdriver in her right hand with blood stuck around the Phillips head and encrusted in neat lines like painstaking cartography down her fingers and hand. He rushed downstairs and prized the three boards from across his front door and let her in urgently, and they kissed watched only by armchairs and other equally absurd relics of past normalcy and hammered the boards back in place. They planned to head to the coast, to a house by the sea that Linda had seen on weekend walks, an abandoned place that clung to the fringes of the eroding cliff side and threatened to fall with every rainstorm, archly resigned to the inevitability of its own end, the frailty of its construction. He had a tandem bicycle and they were to leave the city on that, taking turns to pedal while the rear cyclist would carry a long metal pole that they could thrust in self-defence and keep watch. It was a poor weapon but they thought it would buy them the time to get away, and they could both pedal if things looked bad. They had attached one of those bicycle trailers to the back, the kind that people tow their dogs in, and filled it with basic provisions and other makeshift weaponry, mostly old tools or other DIY utensils in a way that felt like a fundamentally British response to the problem. He poured her a glass of water from a huge plastic container and watched her drink it, then he poured her another and they went upstairs. Without speaking they lay down upon a pile of blankets he had left on his bedroom floor. The first thing he had done on hearing about the problem was drag his cheap mattress into the front garden and set it alight, although he couldn’t remember why he had done so. It was probably something he had seen on a TV programme or in a film, as if the heat of the fire were some kind of repellent to the creeping cold of the dead. It burnt for hours in stuttered flames, its clouds of rank smoke from its melting synthetics and slowly warping springs huffed in billows to the sky like life leaving the city. On the blankets they lay side by side and waited for the darkness and the light that followed.

3. Mad Tom

In the morning they were in the back garden preparing the tandem. The alley behind his house was wide enough to cycle down and less full of abandoned vehicles, and he unlocked the gate to check it for safety. There were a handful of bodies each without heads and in varying stages of decomposition, and one of the dead was on the floor between them, very emaciated, the flesh of its cheeks attached by only odd bits of discoloured skin and hanging like pieces of macabre jewellery from the bones beneath it. It jerked its head toward the sound of the gate opening but he approached it quickly and holding its head still by the thickly blood-clotted hair carefully pushed a pretty useless knife through the left eye socket and all the way into the brain. It stopped moving right away and he left the knife in place and inspected the truth of what he had done. It had been much easier than he had imagined, in fact he had felt almost nothing apart from a certain kind of generic resentment of the world itself and not the individual parts that comprise it. Like everything it needed doing and that was it, he thought. Freed from the mundane spectatorial sanctuary his windows had afforded he felt at least as though he existed in a more reasonable, widely understood sense, outside of himself but within something substantial, as though he were cause or effect or both and not only unspoken witness and preserver, always seeing but never doing, more dead than the dead who strode those streets. He lifted the bodies to one side of the alley so they could fit the tandem past and went to fetch Linda. He told her all was clear and they mounted the bicycle; he would do the majority of the cycling if he could and took the front position, leaving her to handle any dead they might encounter, and she practised thrusting and swinging the metal pole several times while keeping one hand on the handlebars. Although she didn’t feel particularly comfortable with a weapon of such limited range they both agreed that it was their best option and that they had to make use of the things they had to hand, and that it would disable their potential assailants enough to at least give them sufficient time to make their intensely physical get away. They hoped that the same ancient primordial instincts and motor functions that motivated the dead into the dreadful perpetuity of their insentient hunger would slowly draw them away from the sparsely populated coastal regions where food source would be at a minimum and like rats towards the urban areas to scavenge on the half-gone and the trapped, fates cemented by the crushing sprawl of their cosmopolitan surroundings, by the rife almost viral transmission of ruin amongst municipalities so populous.

The day was warm when they left. The bike ran very quietly apart from an occasional rattle from the provisions in the trailer. It was arduous picking their way through the devastated streets and they made their way slowly north on quieter routes out of the city, but weirdly it was already difficult to remember it ever having looked any different. Dozens of corpses interrupted the landscape like crudely symbolic art installations, their placement seeming somehow deliberate and considered with lengths of intestine stretched like party streamers from torsos and into gutters, and faces gnawed and stripped back to just stark teeth fixed in rictus smiles, as though the humour in even this compromising and degrading public exhibition of the frailty and the hopelessness of the flesh was unavoidable and rich and immeasurably more permanent than the flesh was itself, which would and did rot in the great gaseous eruptions or viscous liquid oozings of escaping life that marked the concrete slabs of the pavement with an obstinacy unknown to all but the most archaic specks of discarded chewing gum, returned to the very nothing that had borne it, had made it of this world, the nothing it was always destined to become again. They were unmoved by the abundant dead, whose gnawed appendages and visible decay, whose sunken craniums and richly bruised surfaces depersonalized them somehow, their humanity belittled by perhaps the most human of all processes, left them remote and almost otherworldly, a kind of flawed mimicry of expectation. It was surprising how quickly the boundaries broke down, how quickly they adapted this pathologists detachment, how quickly death became meaningless on such an incomprehensible scale. The problem had undermined the sanctity of death that civilization had spent thousands of years constructing and left it instead with just the inevitable and organic occurrence that it unashamedly was. Without the social cohesion that death had always provided the near-instant decline of any shared morality or decency was remarkably efficient.

They turned into a street where one of his friends had lived and where they had as children played in the fading light of summer evenings. He can’t have been on this street for ten years at least but it was incredibly familiar. They had called the friend Mad Tom, everyone had; an ironic nickname, he supposed now years later, not because Tom wasn’t mad but because instead he was so mad that nomenclature so tentative seemed massively insufficient. He stopped the tandem outside Tom’s house, the front lawn trodden in roughly circular patches right down to the soil and scarred relentless with brittle yellow patches from dog’s piss and still littered with the bits of bike and cloth and coloured plastic that he so clearly recalled, and out of a compulsion he couldn’t explain to Linda he opened the flimsy wooden gate – all the struts but three were absent, stripped for who knew what reason – that had been conscientiously closed against the swell of the problem and took four or five steps up the path. He remembered breaking his foot in this garden in a foolish accident in the rain, and Mad Tom carrying him back to his parents’ house with the strength of a father, clutched against his sodden t-shirt and the intense smell of his underarms which even then he had found improbably comforting and full of life and promise. He remembered Tom falling in love incredibly hard with foreign exchange students, and how he had followed a particular German girl religiously from class to class and spoke to her in the most embarrassing and fractured kind of Anglo-German that made him sound like a villain in low-budget film, and tried to woo her with a discordant song of questionable lyrical content, the full version of which extended to about five A4 sides and was wholly sexually inappropriate and weird, and how when she got on the bus back to Germany without even a word and the inevitable failure sank in he would beg tearlessly to be hit as though without that stimulus he wouldn’t ever feel at all. He remembered the dangerous ramps that Tom built out of lengths of wood stolen from building sites over and around an old red car long-abandoned on his street that had weeds growing out of the grille of the radiator; fearlessly he would ride his bike over them, a different ramp each weekend, and it would always end badly but with Mad Tom smiling above the wheels that were buckled by the impact. He remembered schooldays where Mad Tom siphoned vodka and other clear spirits from his parents kitchen into the miniature glass booze bottles he had collected for years and then brought them into school in his bag, drank them down in determined swallows one-by-one right by his locker, and then ran frenzied from classroom to classroom howling with delight. The memories felt like falsehoods now, tainted like everything else by the problem.

He looked at Linda, who had dismounted the tandem also and was waiting impatiently, peering from one end of the road to the other, her knuckles white from holding the metal pole. The front door was detached, just jagged hinges and an open space where it once would have been, and from the corner of his eye he saw a figure walk past it inside the house. “Tom,” he called without thinking. It just came out. He had no real reason to think it was Tom but it was, it had to be. The figure shuffled hastily through the doorway with the urgency of a drunk at a wedding buffet, still tall, his stomach grotesquely distended, his flesh rotting away as though the skin was a burden all of a sudden too heavy for the body to bear, his very tissues foamed and frothing with verve from great gouges in his flabby skin and from open orifices; he saw there was a bite on his neck that rippled and throbbed with swollen larvae, and a kind of resolute authenticity about his expression that for some reason made him feel incredibly sad to think about. Tom grasped at him and groaned quietly and answered to only one authority, and sank to his knees from the force of Linda’s pole. She hit him a second time across the chest and they heard the rotten ribs crumble beneath the impact, and Tom slumped down onto his back, and Linda positioned the end of the pole just beneath his clavicle and slowly pushed it through the skin and flesh and bone to hold him securely in place. “Come on,” she said. Tom’s hands ran from only the purest instinct and even as caged as he was they continued to reach for the two of them, driven by something so incredibly fundamental it was impossible to understand. They both looked at him and for a moment the whole of the problem was crystallized in this one Norwich garden: the young man dead, the necessary violence, the fractured memories, the empty future. He picked up a bike wheel that was left on the grass, its tyre long-removed, and brought its metal-sharp circumference down hard into the centre of Mad Tom’s face. It went through easily just below the eyes, the soft tissues of which had for some reason remained remarkably intact through the decomposition process if cold and kind of inky black, and stuck fast into the damp soil beneath, and Tom’s hands were limp at his sides with a stillness that felt somehow more frightening. “It’s what he would have wanted,” he said, struck by the banal absurdity of the bicycle wheel, and laughed alone for seconds that felt like a lifetime or thought he did. Linda rested a hand on his shoulder. They could hear the groans of the dead carried through the streets like football chants, like threnodies. They were at great risk there. It was about twenty miles to the coast. They remounted the tandem. They rode on.

4. A Voice in the Dark



The sky was rough charcoal grey and heaved under the weight of its own possibility and the rain had come and fell hard with it and the wind blew violent and with great force lifted the waves and spat them crashing into the land when they arrived at the house by the sea. It crouched between telegraph poles, dirty white at the cliff’s edge, weathered by the salt and by the constant wind, the peripheries of its former garden now lost to the encroaching tides, an essential amputation that bought time in weeks or months if nothing more. There was a glass conservatory to the front of the house and through the glass he could see houseplants in black plastic pots still green and alive, the hopefulness of which somehow felt so inappropriate, and bottles thick with dust through the windows into the kitchen, of wine and different vinegars and plant feeder, whose labels had faded with time. A sign out front read: ‘This house is still occupied and will be until the sea gets too close’, painted in cheap white emulsion on a square of fractured hardboard whose edges had become papery in the rain; the neighbouring houses had all been sold off, bought by the local authority at knock-down prices so they could be demolished before the cliff gave in, part of an initiative to build a new car park and visitor cafe and reconstruct safe beach access. It had been the only choice left, said the distributed literature, as though the authority of sanctioned parking spaces could somehow put an end once and for all to the problems of unstable land, as though redistribution of the village some metres inland could in any way evade this awful certainty. The insurers wouldn’t touch it, and they’d cut the money they had once poured into sea defences which now rot on the beech like a fallen army, the remnants of a once mighty civilization, their wood and metal now twisted and corroded and powerless against the persistence of the water, leaving great chunks of East Anglia to sink back into the past in which it had always stagnated. The house was not occupied; the sign had been left along with everything else when the problem spread.



They pulled the tandem into the front garden and listened to the sea and longed for something less constant and less sure, but it was their best option. The village had a rushed feeling of emptiness and the cliff left the house defensible, with the only approaching road eroding in a sheer drop downwards like a dream, a project left on hold until the land could be built to accommodate it. In this desertion they would see neither living nor dead, they hoped together. It was the very end. There was a flatbed truck left along one side of the house and he opened the passenger door and popped open the bonnet but the engine had been taken. They walked to the end of the garden where the land stopped and looked down to the sea. The waves left heaps of foam in their wake. They could see a pile of four or five bodies at the foot of the cliff all snagged on bits of sea defence, their backs facing upwards, the darkness of their clothes breaking through the yellow foam in conspicuous streaks when the waves withdrew. The sea reached the very foot of the cliff and the violated defences jutted conquered from the water. Behind them the house almost whimpered with its own impermanence. The last time he and Linda had been there together had been two or even three years previous, when there was no the problem. A towering metal staircase had been erected, sunk into concrete in the centre of the beach and connected to the cliff by a walkway that creaked with every step and moaned in the wind and which you could peer down through to the sand beneath, the only route down to the beach around the subsiding soils. The staircase still stood but the walkway was gone, and he felt an affinity with the kind of haunting ridiculousness of the spectacle. Untouched by all but the sea it would remain for centuries, and form the foundation of future myths of morality or of creation, myths borne of its own neglected metallurgy, its corroded banisters still gasping above risen sea levels, and with the land receded all the further it would be just a speck in the still sea beyond the falling waves, a memorial to an affluence and arrogance that would never again compose a humanity, a memorial to certain failure. He felt Linda’s hand take his own and they felt the wind on their faces and stood for some time which didn’t feel lost but merely used. The bodies bobbed on the rising water with a good humour that belied the truth of their presence there.



He looked around at Linda whose eyes were closed and led her back towards the house. The door was open as he had imagined it would be. There were plates on the table with half-eaten meals still on them, the food spoiled and congealed into a coarse scab of gravy and sauce, piles of dirty washing dropped around the room, TV remotes left upturned on the arm of the sofa, as if whoever lived here had remembered something they needed to urgently do and had just gone out awhile. He went out to the tandem and started to unload their provisions from the trailer, passed a box of candles to Linda, who lit a couple with a cheap cigarette lighter and melted some of the wax onto two saucers and then stuck the candles into the cooling wax. He carried everything into the living room and piled it neatly onto the floor. The house was furnished sparsely and it looked very outdated but was more than adequate for their needs. There was a large open fireplace full of fine cold grey wood ash that looked like a landscape in miniature. Linda found a packet of cigarettes which still contained eight cigarettes and held it up for him to see. He looked inside the packet and nodded and then put it in his shirt pocket to save for some possibly appropriate time. Life itself looks outdated, he thought. They set to clearing things up, methodically piling all of the dirty cups and crockery into the kitchen sink and the dirty clothes into a laundry basket that they found in the conservatory. The water was still running but he figured it would only be good for another day or so. They filled up some containers and lined them up in the kitchen. He would have to break up some of the pallets he had seen outside so he could then fix the planks to the windows and to the door at night. He opened one of the kitchen cupboards which was clad with a custard-yellow melamine and found a bottle of supermarket scotch. He poured a good shot into two clean glasses and passed one to Linda and they drank in silence. The scotch burned but felt good. He found himself expecting to see people or cars pass by the windows but there were just brittle leafless lengths of spiralling bramble and clusters of huge green weeds as tall as he was that leant with the wind. He would enjoy boarding them over as there was no reason not to. Raindrops hit the corrugated roof of the conservatory and sounded like popping corn. Linda jumped when they heard a dull thump come from one of the rooms at the back, so loud out of the silence. He put his glass down and opened one kitchen drawer and then another, found a claw hammer and took it out. Linda was already holding the screwdriver she had been carrying when she arrived at his place yesterday. They walked in single file back out through the living room and into the hallway that led off of it. There was a dead kid on the floor of the first bedroom. His head was beaten in at the front and the skin of his face was limp over the sunken frontal bone and they could see the brain destroyed beneath it. There was a bloody table leg on the floor alongside the body and the kid’s eyes were half open and his face locked in this awful penetrating expression, and he knelt down and laid a blanket over the kid, which somehow rendered it as soft furnishing or decor rather than the dead kid they both knew it to be. They heard the sound again from the room next door and followed it. There was another kid, a little girl, he figured five or six but was bad with ages. The problem had got her. She was sitting with her back against a wall and a huge wooden wardrobe had been pulled down onto her legs to keep her from moving. He could see the legs almost completely flattened beneath the wardrobe, skin and flesh bunched up into doughy wedges like decorations adorning the raw tibias where she had tried to pull herself free, and she lurched her torso towards them in the doorway. This was what he and it had amounted to. He could see the tendons in the kid’s tensed arms where the skin had decayed and she snarled like an animal, the threadbare carpet around her left darkened by her slowly collapsing body. Linda was looking away, had her hand over her eyes. Five or six, he said to himself, and repeated it and looked at the kid. He barely noticed the smell in the room but saw Linda trying to throw up. “She’s a child,” said Linda. “Just a kid.” He put his hand on Linda’s shoulder and took her back into the living room, gave her another shot of the scotch and sat her down on the sofa as though they were visitors, family friends on a day trip. He returned to the second bedroom and closed the door softly behind him. The kid looked at him with vacant resolve, with guttural exclamations; like she knew that he himself was doing what he had to. No hard feelings. He pulled a soiled sheet from the single bed and rolled it up and carefully took hold of the kid’s lank hair and poked the sheet into her mouth with the handle end of the hammer to stop her biting down. He lined the hammer up in the middle of her forehead and then the centre of her cranium but he felt his arms heavy and weak and knew that he couldn’t bring himself to do it, that she was just five or six. The door opened and he could feel Linda’s eyes on him, could hear her crying. He put the hammer onto the floor and knelt in front of the kid, sounds dulled by the sheet, and he gripped onto her head with one hand on each side and slammed it backwards into the wall over and over and the decay-softened skull broke quickly and he kept on slamming until his hands were bloody and there was really nothing left but fragments of bone and diced brain and he realised his eyes were tightly shut.

He stood and walked wordlessly past Linda to the kitchen to wash his hands, then carried the two dead children outside and to the edge of the cliff, and dropped their bodies into the wind and the sea. He locked the door behind him and sat exhausted on the sofa. Linda’s face was pink and swollen from tears and she sat next to him and gave him the bottle of scotch which he drank from, and then took the cigarettes from his pocket and lit one for them to share, and after a while she kissed him very gently on the face and the neck and they made love slowly and quietly where they sat, and the candlelight flickered in the draught of the old house, and he listened to her voice encouraging him in the dark.

5. The Smell of Death

Some way along the coast was a caravan park that hugged the cliff edge in honour of civilization. Static homes glared silvery white in the dull sun, symmetrically lined in allocated pitches like creatures basking. From the house by the sea they could see a thin plume of smoke that rose like a faint pencil line from one of the caravans in the heart of the park and they both fixated on it as though in its frailty lay the solution to the problem. They ate tinned ham mottled with fat and anaemic and cut into thick flabby hunks with dried crackers which were light and easily transportable and watched the smoke rise through slight cracks in the boarded windows as though they were a television and the only sound was the breaking crackers. It drifted day and night for several days after their arrival and they watched it as intently as if they had never seen fire before. They found the prospect of other survivors to be almost as wretched as the problem itself, but knew that they would have to go to the caravan park because they couldn’t make it on their own for the indefinite future which felt so much longer when you put a name to it, because their resources would run dry or spoil, because two people would tire quicker than ten people or even five.

In the early morning they took the tandem and cycled peacefully on the deserted lanes and gravel crunched beneath their tyres, and they followed the coast road for just a few minutes until they reached the site, and he could feel the handles of the screwdrivers in his jeans pockets, could hear Linda’s breathing behind him. The sign said “Manor Caravan Park” and beneath it someone had written in thick brush strokes “survivor’s camp”. Linda held his arm and he looked at her but although her eyes spoke endlessly she said nothing and they rested the tandem up against the two metal gates that were padlocked closed and he helped her climb over and followed her himself and up a rough track which ended at what had been the reception office and a small convenience shop, both of which had been completely boarded up. He walked around to the back of the building with Linda close behind him. There was an awful smell in the air and the sound of insect wings was almost industrial. Laid out on the floor behind the building was a dead woman. She looked to be in her twenties and was very tall and quite heavyset and was stripped naked and her legs were far enough apart so they could see the shadows around her vagina, but she was patchily covered in a blanket of flies who feasted and laid their young beneath the surface of her rotting skin and did not fly off despite their presence because there death overwhelmed life and outnumbered it. There was dried blood caked to the insides of her thighs and her throat was slit and had bled heavily out and also dried in huge crusts across her chest and seemed to breathe with blowflies, but he could see no evidence of brain trauma or other signs of infection and impulsively felt his pockets for the bulge of the screwdrivers.

“You’re alive?” He and Linda both turned towards the voice and armed themselves clumsily. Three men were standing some ten feet from them. They were all unarmed and the middle of the three raised his hands in a well-meaning gesture that felt especially futile.

“She’s not,” he said. He pointed a screwdriver at the dead woman.

The three men looked at her regretfully. It started raining very softly and it was the sound of the drops on the leaves that betrayed its subtlety. “Shall we?” said the same gesturing man, this time inviting them to follow him into the camp.

He started to walk and Linda held him back. He took her hand and squeezed it and nodded and laid his palm flat against her cheek and she closed her eyes a moment and they walked together in the direction the man had indicated.

“We saw you,” the man said. “Saw you at the cliff edge several days ago. Saw you throwing those bodies over.” He and Linda walked in silence. “Are you holing up there?” the man continued. The other two said nothing and wore bright blue jeans that were short on their legs. “In the house over there?”

They walked through the empty camp. The caravans were all locked up, padlocked from the outside, metal security grilles fitted to many of the windows. He noticed how well protected the camp was, flanked by a large perimeter fence and by the cliff, and thought of the holidays of his past which had failed to cohere and of the dead woman resurrected in the squirming maggots that took nourishment from her botched tissues. They approached a caravan in the very centre of the park and they saw the trail of smoke still rising as it did from a tall metal chimney that had been rigged to its top.

“What happened to her?” he said. “That woman?”

The three men looked at one another and two of them wandered off to another caravan and climbed the three steps up into it and closed the door behind them. They were left with the third man.

“It was an accident,” he said. “It was one of those things. She was very sick.”

The problem?”

The man nodded. He led them into his own caravan and invited them to sit down on a foam padded sofa, and offered them a drink which they refused. It was piled about with papers covered in thick pencil diagrams drawn so hard the paper had in places torn and that appeared to them both to be nonsense, as well as scientific textbooks that from the typography and photographs on their covers looked outdated, and these things spilled onto the floor and even into the plastic sink that in drought had turned orange in dry lines around a past water mark. The one fold-down table in the kitchenette was lined with bloody tools and utensils and there were flakes of skin and pieces of what looked like flesh caught in the teeth of the blade of a small hacksaw. The kitchenette units were the kind of flecked mottled brown in two or three tones that tended to betray an era of stagnant design. The man cleared some paperwork from a wooden crate that was upturned and examined the top few leaves of drawings and scribbled notes, and nodded intensely to himself as though they contained incredible truths or even spiritual revelations, and he placed them alongside one of the other piles and lowered himself to sit on the crate.

“Name’s Charles,” he said.

He and Linda looked at him. They looked to be about the same age but his beard was wispy and looked fragile against the caravan’s interior. “What is this place?” he said. “What are you doing here?”

“Research,” he said. He poured a small glass of water from a five litre container and drank it slowly. The caravan moved slightly in the wind and the door chattered in its frame like a deliberate protest. “Before all this,” he said, and held up a large carving knife that was thick with dried blood, “the problem, we worked at the university. ‘Wayward scientists’,” he said like an endearment, like a club name.

“Into what?” said Linda.

“Methane,” he continued. “Compressed natural gas. We were investigating alternative sources of fuel. I’m sure you’re aware that we’ve fucked the world over, built an unsustainable dependence on an unsustainable fuel source.”

The three of them were silent, as though out of respect or shame.

“We managed to escape the city for this place as soon as we saw the first dead. It was weird, as though for all these years we had expected this to happen. I don’t know why. I had to kill five of them. You?”

He felt Linda’s hand tighten around his and thought of Mad Tom and of the child and he nodded.

“I find it helps not to think of them as people. Whatever fragile connection we might claim to have with our personalities is pretty far gone by the time the problem takes a hold. The temporal lobe’s really the first thing to go.”

He thought of Mad Tom and of the child.

“They’re not people now,” said Charles. “In fact they might be something far more useful.” He stood up and looked outside. There was rain over the window pane and they could hear it on the roof of the caravan. The house by the sea waited patiently along the cliff and they both wished they were behind its walls. He pulled on a thin plastic jacket and fastened the hood tightly around his face. “Follow me,” he said. “I’d like to show you something.” He walked out of the caravan and towards a large wooden storage barn at the very edge of the site.

Linda shook her head no but his eyes told her they must go and must see what these men were doing here and he too stood up and took one of the dirty knives from the tabletop and they followed Charles towards the barn, and jogged a little to catch up with him. There were several oil drums with smouldering fires lit inside them and struggling against the wind and rain lined up along the gravel paths. Charles saw them looking.

“Beacons,” he said. “Let’s people know we’re here.”

Charles took a set of keys from his pocket and unlocked the door to the barn. It was warm inside and there was a faint electrical light which must have been powered by a generator. There were piles of the dead all around the room, thirty or forty bodies. He held Linda’s hand very tightly and felt sick and afraid.

“This probably looks a little odd,” said Charles. “But this,” he said, kicking one of the bodies in the side, “and this,” he said, kicking another in the head, “are fuel. Dead bodies release methane. That’s what the awful fucking stench is.” He kicked another of the bodies in the front of the face and the toe of his tan leather shoes sank through the skin and was flecked with tissues when he pulled it out. He wiped the shoe with his hand and his hand on his trousers. “You see the problem is a wakeup call. A socio-economic crisis. An ecological crisis. We’ve put all of our eggs in one oily basket and now the party’s over. Preoccupied with oil, preoccupied with greed, with overdevelopment – it couldn’t continue at this rate, the world couldn’t sustain it. No resources, no space. We needed to wipe the slate clean, to reset the clock, to start again. The problem does all of it.”

“People are dying,” he said. His voice sounded very far away, over the cliff edge, under the sea.

“People are dying yes, and people are not dying, but a desperate situation requires a kind of desperate change. And it’s the bulk, the fucking wholesale consistence of the death that might just save some of us, that might make some of the thousands of years it took to get here worth the effort. We have to build a new society from the ground up,” he said. “And an intelligent society, one that’s going to last, does not forge a dependence upon an exhaustible resource that takes hundreds of thousands of years to form; no, it makes use of the abundant, the commonplace, of the very death and decay that brought its societal predecessor to its knees in the first place. We’ll use the methane produced by the decomposing dead to fuel the growth of a new social system, as vehicle fuel, as electricity, as the fundamental building blocks of a new utopia borne of ancient mistakes, one in which death is de-personalized and de-sanctified, a resource as ripe for exploitation as coal or oil once were. One thing the problem has driven home is that death is not special; it is arbitrary and cruel and remorseless, so let’s not hide behind tradition and taboo and shroud the whole filthy thing in ceremony. What better possible afterlife could there be than the knowledge that the gases from your own dead meat would aid the running and growth of a continuing society? It doesn’t get any more tangible than that. It’s the ideal response to the problem and it’s happening right here. This is what we’re doing,” he said and flung his arms back into the distant darkness of the barn, “we’re doing it right now. The threat is neutralized on two counts. The dead die and new life takes all the fuel it needs to stoke it aflame. You’ve been there, you know how many dead there are. Really dead and problem dead. Hordes of them just littering the ground. The resource is inexhaustible by definition. You said it yourself: people are dying. That’s the one fucking certainty in life, friend, the one thing you can sure as dark shit count on. Death’s coming. The biggest problem we’ve got now is how we can harvest it quickly enough to capture the fuel they produce. We need to run this right. We need all the help we can get. Leaving those dead to rot outside of a lab is as senseless as flushing crude oil down the toilet.”

They looked at each other, at the wood of the barn, at the piles of dead flesh.

“What happened to that woman out there?” he asked again.

“Woman? What does it matter? What does one woman matter now, what do a hundred women matter? The scale of the death and of the change out there destroys any meaning the individual might have had, which to be honest was negligible anyway.”

“Something has to matter.” Linda’s breathing was very loud and so was his own.

“It does. Survival matters. That much we owe to ourselves. We made this happen, the least we can do is to keep on going.”

“What do you plan to do?” he said. Charles smiled at him and then at Linda, and they felt his eyes on the shape of her body, felt them pierce her clothes and all over her skin.

“New society needs people,” said Charles, “to make it last. We need able-bodied men to join us and work with us.” It was all now inevitable. “And we especially need women.”

“We should go,” he said to Linda, and they walked to the door.

“Things have changed,” Charles said to their backs. “Everything. The old system failed. Relationships, monogamy, genetic exclusivity, it all failed. People no longer belong to one person. Breeding is imperative. It’s the way it has to be.”

He put his arm around Linda and pulled open the door of the barn and didn’t look back. The two men from the camp office were a few feet from the door with two others they hadn’t seen before and they blocked the pathway. “Come on,” he said to Linda quietly and they walked around the four men onto the thick wet grass and away from the path to follow the perimeter fence back around to the gate. The four men turned to watch them as they walked but none moved to follow and they both did everything they could to not run. He pushed Linda along slightly and glanced over his shoulder and saw that the men still stood beside the barn, and he gently pushed Linda again and in his mind urged her to keep going and felt the nervous heat burning through her clothes and glanced back over his shoulder a second time and saw that the men had gone. They cut between two caravans and he could see the gate a short distance away and Linda stopped dead, said “my God”, and he looked down at the path before them. There were the bodies of eight or nine women strewn in the grass that grew between their limbs and fringed their bodies as though their presence here were a fundamental part of the natural order, meat truck-stacked and ready for processing. They were all naked and like the woman at the camp entrance none showed obvious signs of infection and the smell of their rotting tissues was foul, and they had been beaten horrifically, their faces swollen over their eyes and beyond their features, and each had a small hole of equal size drilled into the centre of their foreheads, and there were finger shaped bruises over their throats and their thighs, and dozens of stab wounds were flecked over their chests and arms and faces. He and Linda looked silently at the bodies. Some were face down and their backs were tanned like an ancient pigment by the drying spilt blood. He tried to swallow and looked up and Charles and the four other men were around them and the bodies.

“They weren’t up to it,” said Charles.

“We need to go,” he said.

“No, you need to stay.” He looked to Linda as he said this. “We need women, women who are up to it.”

“This isn’t the way things should be.”

“It’s the only way things can be.”

One of the four men came at Linda with a hand extended, to take her arm and lead her away. She moved quickly, she grabbed him by the hair, she pulled a screwdriver and she stuck it into his neck, he gurgled and spat blood and they heard it sucking down his throat, and he started falling down and she still held onto his hair and pulled the screwdriver free and stuck it again through his cheek and then through the side of his head just above the ear. She let go of his hair and he dropped onto one of the dead women and his body twitched and the leaking blood steamed. Another came hissing bitch and he sank the knife he had taken from the caravan into his chest and his stomach and he died almost instantly. He looked at Linda and she was shaking but okay.

“You killed these women,” he said. Charles nodded.

“They couldn’t do it,” he said. “Give themselves over to the new society. Sacrifice the ego. They couldn’t, wouldn’t do it. This is how it is. You two are stronger than this. Stay with us here. Help us build something good out of all of this shit.”

There was blood on his fingers from the dead man and it ran slowly down the back of his hand to his wrist. It was already drying.

“I don’t think so. Society,” he said and took Linda’s hand, “is overrated.”

They stepped over the bodies of the women and the two men and made for the gate. The other two men looked at Charles who nodded and they then made a move for him and Linda and they stuck them hard with screwdrivers and watched them die. Linda’s screwdriver was stuck vertical from the top of the skull like a bizarre implant and was too imbedded to remove and blood had arced from the wound and the trauma to his brain was fast and grave, while his own had shattered windpipe like brittle plastic and the fractured edges of the trachea emerged slightly glistening and almost alien from the skin wounds that flapped somewhat and there was blood from the mouth and from the neck alike. Charles watched calmly and moved not at all.

“You needn’t leave like this,” he said. He was smiling. “We three – we can make it happen.”

“Everyone’s alone,” said Linda. “Please don’t pretend otherwise.”

He walked over to Charles and pushed him over onto the floor. He fell without resistance surrounded by death and reached without thought for the hand of one of the dead women which he clasped tenderly. Linda rushed forward and kicked the hands apart, then stamped down on his hand three or four times until they heard the dreadful sound of the bones breaking, and when she took her foot away there were odd bits of finger bone torn through the skin and it had sunk down a few centimetres into the soft mud. Charles had not screamed as the hand broke but he was crying and his tears looked very unfamiliar. He crouched alongside Charles and wiped his screwdriver on his jeans, then held it over his throat.

“Let me,” said Linda. The dead women seemed to rise momentarily and applaud. She picked a loose brick from underneath one of the caravans which was charred black along one edge from past barbeques and she knelt on Charles’s chest and looked him in the eye but he couldn’t see her because of his tears and she smashed the brick down into the middle of his face, and with one strike his nose caved in and with three his face was gone and only brain tissue and bone fragments remained, the components of a life.

She dropped the brick onto the floor and the sea groaned and they took each other’s bloody hands and they left.

6. Dead Father

His father had died several weeks before the problem. He had been there when it happened and had watched when he stopped breathing. His last rattled breaths had sounded like an insult, the body reduced to nothing. His father’s eyes stared at him with the fear not of death but of loneliness. He didn’t recognise him. Somehow even fixed his eyes looked bright and young and that seemed the saddest thing. He sat with the body for an hour in the hospital room. There was no sun but the venetian blinds cast striped shadows over the white blanket that shrouded his father. He didn’t speak or plead or pray, and the one time he rested his own hand on top of his father’s fingers the coldness of the skin had made him recoil. Life was replaced so quickly it was almost unbelievable. The room felt stifling, as though death had engulfed everything around it, and the soundlessness was immense and terrifying, and he looked a final time at his father, who was so still in the bed that he was like a faint imprint left behind, and he went to the nurse’s station and told them he was finished and thanked them for all they had done, and their condolences were efficient as they had to be. He met Linda later that day and told her everything that had happened and she stroked his head in her lap. He felt most sad, he had said, about the fact that he hadn’t felt that sad. That he had always imagined how it would feel to be that close to death and it would be humbling or somehow ennobling but it was instead simply cold and almost tedious. She said she understood. She said it was the certainty, the inevitability that made it so. Death is only another thing happening. He told her that while he had never been religious he couldn’t help finding a deep spiritual importance in the death of his father, as if it left him freer than he’d ever been, to make his own life, to structure his own thoughts and devise his own significances, that it was like being liberated from the oppressive familial regime that had mutely haunted him all through life. She said he gave death far more value than it deserved and called him an idealist in the way that most people would call someone a bastard. Death, she said, is the most terminal normality. When he fucked Linda later that night he pictured his father, cold and dead beneath the stiff white hospital sheet, his body sagging beneath the weight of its own lifelessness, and as he came soon after he noticed he was crying, a fact they both chose not to mention while they waited for the alarm to go off. The problem stirred only in nightmares, in fiction, in metaphor, in the inactive depths of our ancient genes, but in weeks it would reign, in weeks life would fall.

7. She Still Loves Me

They cycled back to the house by the sea. It was starting to get dark when they arrived back and they could still see the smoke rise from the caravan park and knew it would burn out soon enough. Linda pulled her clothes off and sat in the bathtub and drew her knees up to her chest, and he poured water over her body from a metal saucepan and gently scrubbed the blood and dirt from her skin and she sat limp as he did so. She held onto his shoulder as she stepped out of the bath and he passed her a towel and the smell of detergent made them both feel hopeless. He took his clothes off and climbed into the bathtub also, and Linda carefully measured the water into the pans and washed him clean. He wrapped a towel around his waist and went into the living room and lit a number of candles, and opened a can of pink salmon which he forked onto two plates along with some of the dry crackers from their provisions. Linda came in with clean clothes on and sat down on the sofa and he sat down next to her and poured them each a small scotch and they ate their meagre dinner together. When the food had gone he put the plates onto the table and put his arm around Linda’s shoulders and he felt her tense up as though it were some kind of unspoken agreement, that this was all too much, that although they didn’t know how long they could continue they at least knew it couldn’t be long. Their past romance felt extraordinarily inane, not because of the seriousness of the problem but for other reasons that their every gesture hinted at but never revealed. Before the problem they had both hated television and made a point of saying so, but now it was gone they mourned it like an absent lover, and imagined whole series of programmes whose neat and unchallenging narratives they could follow together from beginning to end. They still sat before it with dreadful expectation of the truth it might once again share.

The fallen darkness was ferocious and even the lighthouse some distance away that had shone electric for several generations stood pitch and untended. They heard through the persistence of the hustling waves what they thought was a car engine and without thought he blew each of the candles out and the dark of the room was total and he heard Linda shift in her seat and they both crept to the window which he had had wood enough to board only roughly with two planks and which was still mostly exposed and for which he now cursed himself and waited. Soon after headlights passed slowly and they could hear laughing and conversation and a pick-up truck passed the house and pulled into the grassy field just across the road that bordered the cliff, and stopped and the engine was shut off but the lights left burning. From the window they could see two men and two women climb out of the cab and they were drinking and acting drunk and they sprayed beer foam from shaken cans as though they had stumbled out of a long party and not yet realised what had happened to the world. The two men kissed the women and groped them roughly and rubbed the flat palms of their hands over the denim seam between their legs and the women laughed and seemed to talk to each other while they did so. They all opened another beer from a stack they kept under the seats in the cab and the men goofed around and sank them in only a couple of chugs and egged each other on and slapped each other’s backs like primates and tossed the cans away over the cliff, and the women sipped theirs and looked around at the silhouettes of the part-demolished houses that rose from the soil like skeletons. The men opened up the back of the truck and he could see them pick up a length of rope each and yank and pull and two bodies fell to the ground hard, and they were not dead but infected, their hands tied together and the ropes that the men held tight in two hands noosed around their necks. They pulled them up to their feet and they could hear the moaning from the house. They were females, their breasts wept from large wounds and their bellies sagged with death like aprons above their pubis, and he could see their torn flesh, the skin that had stretched over distended parts and had now split and showed dead bone beneath liquefying organ tissue, the mouth of one slashed wide open in a grotesque grin that blew limp around a kicked-in jaw. The men held them firmly like triumphant hunters awkwardly photographed, and the women took lengths of wood from the back of the truck and walked to the dead with considered steps and posed kind of sexy alongside them and the men cheered and then they started hitting them with the wood, swinging it with everything they had into their torsos and their legs but not their heads, not their brains, and the dead moaned but couldn’t fall because of the ropes, and the wood tore chunks of flesh off and a whole breast fell and they stamped on it in the wet grass. The women hugged and then they took the neck ropes from the men and kissed them and the men took a saw each from the truck and they hacked off the arms of the dead in stuttered ugly cuts, and fucked around with the felled limbs like horror props, and they punched and kicked them and the sound of it overcame even the sea and he and Linda felt nauseous and hopeless for what hope was there. They took the ropes back from their girls and dragged them over to the weak fence along the cliff, and looped the ropes around a couple of thicker fence posts, and with the dead bound they pulled out their genitals and raped them ecstatically, looked round laughing at each other, sizing up, and at the drinking women who laughed also, and their white buttocks were stark in the night, and they came immeasurably quickly soaked through with blood and weird body liquids, and they all laughed more while they picked parts of their dead insides that had broken off or been pulled out by the reaming from the ends of their pricks, and spent as they were they stamped onto the heads of the dead until their boots sank through brain and it was done. The girls kissed them like heroes and they ground themselves into their men, their real men, and the men went down on them there in the grass and did so until their cunts and their buttocks clenched and their thighs quivered trembling in the night. Linda went to the bathroom and slammed the door behind her and he head her crying, but he could only watch frozen, indifferent, and hope to something that no one would find them.

A couple of minutes after and they strode like lovers back to the truck and turned the engine over, and Linda returned from the bathroom. He took her hand but she pulled it away and he could understand why. Their eyes had adjusted well to the dark and he looked around the room and saw only a grave as he did outside. The truck crawled very slowly past the house and one of the men leant forward in his seat and stared and they both dropped to the floor under the force of his gaze and pressed themselves up against the wall beneath the window as flat as they could and they heard a voice say “hey stop the truck”, and in that instant they thought it was over. There was a slight squeak of brakes and one of the truck doors opened, and they could hear footsteps in the tall weeds out front and plant pots falling over, felt the slight shadow cast of a face and shoulders at the window. The boards, he thought. The boards scream inhabited like voices or lights. “Hey I think there’s people in here.” The screwdrivers were on the table. The knives were in the kitchen. “Hey,” the voice said again. They could feel him pressing against the window, adjusting his hand above his eyes to see better. Then footsteps around to the door. Tried the handle, knocked even, then tried his shoulder. “This place is fuckin boarded up from the inside. There’s people in here.” The man pushed the door with his shoulder again and inside he hugged Linda and said sorry but not aloud. Another voice said “who fuckin cares let’s the fuck go” and the women in the truck laughed. There was another kick at the door so hard the walls moved and a framed picture fell and smashed. “Shit,” they heard the first voice say, and the truck door closed and the sound of the wheels on gravel got further away then far away and then disappeared and only the sea remained and their breathing.

After an hour had passed they carefully pulled the boards from the front door and each took a long screwdriver and they crept from the house and looked for signs of people along the road and away down the cliff but there were none. The chimney smoke from the caravan park had ceased and its absence was prominent. It was cold in the wind and felt colder so late at night. They closed the front door and walked across the road and into the field, then over to the dead still tied to the fence. They looked at them in silence for a few moments and thought separately similar things. They thought how foolish it was to think that the problem made this happen, thought how this was already here, all of it, how the problem simply let it out. How that was the worst thing of all. He untied the ropes from the fence and lifted the bodies one by one and dropped them over the edge and they fell like substances and not bodies to the water below. When he turned around to Linda he had tears in his eyes because of the wind and she heard something and turned around but was so quickly bitten on the shoulder that earlier he had held in his hand and the noise of the tearing flesh was unreal. She screamed and fell backwards and clutched the wound as though she could pick the virus out with her fingers and then stood and ran back to the house. The dead came toward him with Linda’s blood the colour of life around its mouth and with one hand he held it tightly and his fingertips sank a way into the spongy flesh and he precisely pushed the screwdriver through the side of its head, and to his surprise he felt no malice or vengeance and only a kind of very fragile nostalgia for something vague and uncertain. He returned to the house like stepping back in time, or rushing forwards.

8. Too Many Questions

And what questions, all left tantalizingly unanswered by the films and by the literature. What is the virus and how does it work and where does it come from? The terror of ignorance is the constant in these stories, the pervading fear that underpins the rest, and the void of the dead, the immense emptiness left by the absence of life, allows for the imposition of a profusion of highly politicized meanings upon the dead themselves, making them the vessels for agenda that the decade demands. How they came to be becomes an insignificance; what matters is what they come to represent. The world falls apart and no one has an answer, and the nameless enemy is all the more dreadful for that reason, and for the familiarity of their bodies, their instincts, their humanity. Stripped back to some fundamental primal point they are us, a broken people with nothing but hunger and survival to take us forwards, all artifice and sanitization and reason long dissolved in hopeless nihilism. These are stories not of the dead but the living, of a desperate human failure to cohere and to respond, of the most ultimate collapse of the frail monoliths of civilization and progress that had blinded us all to our own injustices. Engulfed by the problem the social commentary of interpretive metaphor was hard to theorise and seemed barely to matter if at all, save for the committed anthropomorphizing of the broadsheets to try to lessen the sting of our failing narratives. They were the problem and it them, the horror of everyday life. There was no safe analytic distance and even concrete paradigms failed. It’s expected, invited, but not like this. Some things are and have to be or nothing is and can be. Death is death was the one thing they knew they knew and they knew now nothing. No one dared call a zombie a zombie because there are no zombies, as though to even utter the word would instantly invalidate the realism of their narrative case, as though to allude so blatantly to a mythos so widely acknowledged as fictional and to references so markedly low-end cinematic and to perceptions so culturally transcendent (i.e. fears so incredibly deep-rooted within the “human condition” and therefore universally [humanwide] potent: of cannibalism, terminal alienation, overarching lack of agency, contorted and frankly flawed notions of the very essence of mortality/what it means to live or to be alive/the revised place of a spiritual afterlife, &c.) would render the urgency and very tangible horror of the problem somehow false. The word itself signified fiction and that was how it was understood, as a device, a metaphor, a fictive layer; it undermined the severity of the problem, made light of such terrible darkness. To consider even the word was inappropriate to reality. The fact of the zombie’s non-existence is what made those films such fun to watch, bolstered as we were by the knowledge that such things could never happen. Now it had happened how wrong it would be of us to negate even a minor past pleasure by attributing its terminologies to this. The problem taunted language, defied it, it dared us to attempt meaningful reference and signification of happenings so very alien to our understanding of the world. There were no words for it; these were the limits of language, the incommunicability of horrors both unknown and inconceivable. How inadequate it becomes in times of trauma. Please tell me what turns the world upside down? There was word of language as ‘the cause’. Burgess said “it gestates in the deep structures prior to language. Or, at least, simultaneous with language. In the very primal structure that organises us as differentiated, discontinuous copies of each other. The virus probably enters, in fact, among paradigmatic arrangements. And then, almost instantly, the virus appears in a concept of itself”, and that “some specialists are suggesting that we use as little connotative language as possible, and to definitely avoid metalanguage”, but the problem swelled from the silent voiceless emptiness of the technological age, endless bytes of unvocalized information transmitting between servers that render the crudeness of oral interaction as outdated and dead as the cultures that relied on it, from the inorganic symbology reconstructed by binary coding that is immune to the dormant mutations that Burgess posits. Speculative causes multiplied like the problem in unverified mutters, evidence then a luxury or a pointless formality with no place in national accusation. It was the product of unnaturally high radiation levels resultant of an exploratory space programme that reanimated the dead with brains pared back to their most streamlined as necessary for – a nominal, purely physical – survival. This radiation had irrevocably altered the atmospheric makeup of the planet and our organic response to it and there was no going back. Or it was the planned impact of an incomplete biochemical weapons programme funded by government and military agencies that had leaked into the populace through accident or design, an ill-conceived conceptual weapon that like its forebears exponentially created more of a threat than it destroyed. Or it was the by-product of a genetically modified maize crop, or the inevitable endpoint of an accumulative ecological disaster. For others still it was a long-dormant trait of humankind buried beyond neuroscientific analysis within the earliest parts of the unused brain that had been reanimated as a side-effect of a widespread vaccination programme, perhaps the result of a corruption within the medicine itself. Or there was allusion to the Solanum virus replicating in the cells of the frontal lobe in hastily penned research papers thrown together with evidence negligible at best in desperate support of hypotheses pertaining to it, as though frequent and impassioned reference could somehow verify its fictive existence into hard science, as though the implausible efficiency of its viral properties and symptoms could be conversed into being, anything for an explanation at least vaguely suggestive of peer review and rigorous consideration and ugly biological fact and our own intellectual control of – and thus our measured response to – the situation, and not absurd speculation cloaked behind the temporary ignorance, the ‘un-blown paradigm’ of scientific method. Its very lexicon, of viruses and lobes and mutation and fluidic transmission, gave it an authority, a veracity conspicuously absent from other hypotheses all themselves equally untested. Convinced by vocabulary alone, social faith might be instilled in science in times of crisis, and edged toward religion only in times of out-and-out ruin. The most complex, incomprehensible explanation must be the truest precisely because we don’t understand it; we the masses shouldn’t understand these things, life and death and the pain between – they are for only the few to truly know. Or it was folkloric voodoo pharmacology at work, tetrodotoxin compounds sanctioned by government and issued to drinking water reserves at key locations around the country, a short-sighted attempt to pacify the violently discontented plenty. No one hypothesis seemed sufficient to explain the problem. It was as though the desolation and injustice of the of the 21st century had built to such heights that something had to give, and that the fundamental biological workings of the human organism were the only thing left to modify, and that from riots and poverty were borne the most dehumanizing infection, a complete annulment of our most essential and recognisably human traits, and all individualism and personality were crushed beneath the basest of instincts for which corporations had primed us for decades. Something changed. Regardless of its cause, as a blood-borne virus its rapid spread through the violent and cannibal relations it instigated in its sufferers was guaranteed. There could be no end. Does it help to know why?

9. Whose Fault is it?

Blame flowed like breaking waves along the shoreline, and become a national responsibility, a prerequisite to the survival of our patriotic spirit. It was the one thing as British we felt qualified for, and long-held prejudices barely contained beneath superficially progressive politics quickly swelled to the surface in public displays of symbolic otherness. They blamed the scientists, whose calculated and arrogant meddling was inevitably bound to great pain and loss when the progress of knowledge and intellect had reached their limits, for it is congenitally beyond all species to really understand themselves; this new prayer of the dumb and the afraid, this idiot prayer: please protect us from this wider contextual understanding and awareness and the proven benefits of the scientific method and please let the safety of ignorance prevail. They blamed the vocal atheists, whose spiritual void, they said, went hand-in-hand with cannibalism and bodily decomposition, and the private atheists for the same. They blamed the Catholics, whose most sacred beliefs seemed weirdly to mirror the facts of the problem: their fetishisation of the flesh, of consuming the flesh, bodies obscenely corporeal and yet supernatural, the ransacked temple, the decaying waste products of a soul’s altogether brighter journey. The response of organised religion to the problem was confused, distraught. Eternal life had became a real threat and not a vague hope, and the fact of its physicality called for the kind of urgent reappraisal with which no religious scripture is prepared to deal. Christian tears fell silent among the stammered news reports as millennia of guilt overwhelmed their faith. They prayed for it, here it was. They blamed promiscuity and the deteriorating morals of a corrupt society; they blamed sexual deviance, alcohol consumption, television, fast food. They blamed career women, unmarried women, childless women, women who drank on Friday nights or wore short skirts out or admitted to expecting more out of life than their mother’s before them. They blamed open homosexuality as being at the very heart of the rotten core of modernity which if practised at all should always be both secret and aggressive and fuelled by self-loathing. They blamed the elderly for refusing to give up. They blamed socialists, whose very notion of utopia they believed in stupidity to be synonymous with the relentless mass-mindedness of the problem. They blamed children for the pointlessness of their youth, for their lack of contribution, for their weakness, their dependence, and they blamed students for the kind of constant whimpering dissatisfaction that they assumed would make something like the problem happen. They blamed immigrants for not this alone but for all the big viruses, for bringing them here, for the primitive acts that mutated them into being. They blanket-blamed the arts – worthless though they thought them to be – that wrote these zombies into our popular consciousness, blamed the crumbling boundaries between our cinema screens and our city streets, said this would never have happened without artistic precedent. They blamed tirelessly. Everyone a cunt and everyone to blame. The British way. Trust absolutely nobody. Doubt any and all difference. Pockets of violence erupted among the uninfected, all taut with distrust and prejudice and media endorsed – expected – xenophobia. Paranoia ground out rationality. They were easily provoked into hatred and urged to stamp out diversity, a necessary evil to contain the problem. Not government sanctioned but the authorities turned a blind eye. The lynched swung rhythmic in the twilight like shared memories. The living left death in their wake like the problem they killed for. The problem grew with the dead, hatred and fracture opened the doors to it. Within hours they turned on each other. Everything endlessly lost.

10. The Yellow Dress

Inside the house by the sea Linda was lying face down on the sofa. She held a rolled up tea towel against the wound on her shoulder and the tea towel was wet with blood, and she was crying soundlessly and it was only the occasional heaving movements of her shoulders against the stillness of her body that were indicative of consciousness. She had taken her shirt and jeans off and they were in a ball on the floor at his feet and he could see thick dark lines of blood coursing down her back from beneath the tea towel. She wore the yellow dress from their memories. He remembered everything about it, every stitch and seam. He had kissed her in it in the dark of the empty street, had pushed it up and made love to her to the sound of passing night buses. He closed the door and knelt on the floor next to her and rested his hand on her flank and the heaving worsened, and he stroked her hair and lifted it up away from the wound, then held the hand that clutched the tea towel and lifted it carefully away. The wound was raw and deep and the tooth marks were unmistakable, and he could see the edge of clavicle beneath the tissues where they had been bitten away. He placed the hand still holding the tea towel back onto the wound and told her to apply pressure, and walked to the kitchen and dampened another towel with cold water. His hands were still bloody from the dead outside so he washed them and scrubbed them with an old kitchen scouring pad worn through with holes. He went back to Linda and helped her to sit up, and carefully cleaned the wound with the damp towel, wiping away the blood as best he could. He noticed that the wound was already starting to clot which he assumed was a result of the virus but he chose not to say anything to Linda. The flesh was discoloured around its peripheries, greying like spoiled meat. He didn’t know how long the problem took to develop. She was sweating and her eyes looked distant, as though she were very old and no longer recognised him. He rinsed off the bloody towels in the kitchen and held one to her brow to try to lessen the fever. He lit several candles and drank the last mouthful of scotch straight from the bottle and pulled a chair up alongside the sofa and watched Linda. The movements she could make were uncoordinated and when she tried to feel the wound she was unable to position her hand appropriately. He lifted some water to her lips and poured slowly but it made her sick and the vomit dripped onto the sofa and was laced with blood. He begged her not to look and carried the whole cushion away but she had seen it and he heard her crying as he threw the cushion outside.

“I’m very frightened,” she said. She was slurring her words like a dismal drunk. “Please don’t fall asleep.”

He told her he wouldn’t, that he would stay awake all night, that he remembered the dress and remembered everything, that whatever happened now they would still have what they’d had. And he thought of all the things they would never do, of their relatives and friends, of a future as empty as it was inevitable. He thought of Linda, of the day they had met and the years after that.

They sat quietly while Linda fell in and out of consciousness, and her joints cramped and she moaned with the pain but no longer spoke. Sometimes her eyes opened but she didn’t see him. The tone of her skin changed with the falling minutes. Her body was dying. The candles danced to the sound of the sea. He kissed her mouth and it was very cold beneath his lips.

When he awoke the candles had burnt out and the room was bathed in grey early light and Linda was still and silent. He felt for her pulse and raised her eyelids and there was nothing. Her flesh had already begun to decompose in great patches around her body. He stood and walked to the window and looked out to the sea and to the fields before it, and there were scores of the dead walking the fields and the road by the house as though nothing had altered, as though they were living their lives, and their groans echoed through the thin panes of glass. He heard movement behind him and turned to Linda. Her eyes were open and she was trying to pull herself upright. He stood next to her and laid his hand on her thigh and said he was sorry. She grabbed at him and the tips of her fingers sank far into the flesh of his forearm and he yelled out and she bit him and he watched her gnawing his flesh and his freckles working around her mouth and the convulsing tendons in his arm and his blood dripping down her chin like spilt sauce. Her moans were unrecognisable and merged inseparable with the dead outside. He heard the shuffling of their feet outside and they rattled the door of the house and their limbs pressed through the glass of the windows which tore easily through their flesh, and they hammered the boards with startling relentlessness. He held one of the screwdrivers tightly in his good hand and shoved Linda back onto the sofa and straddled her and held her still by her throat and pushed it through her ear and into her brain and she was motionless. He rolled onto the cushionless seat next to her and gripped the wound on his arm and listened to the breaking boards and the crumbling brickwork and the exquisite moans and the ever encroaching sea and waited for something to happen.

Sunday, February 19, 2012

Sunday, August 28, 2011

different worlds

1. A Hand on a Guitar

The wind ran through him in the wet light of summer’s end, the trees spoke with it and at their bases there were in parts spatter and also piles of different dog’s waste, richly toned organic evidence that seeped and oozed into soil and back into the cyclical and bore characteristic resemblances to the mental processes or the faculties or temperaments of its creators, highly personalized genetic units that would sink one day back with all of their broken down dead bodies to where it began, to the rank monocellular genesis of life replicated into complexity under the watch of stoic indestructible matter towered ancient and pristine and unmoved above the unfurling, for they are but reconfigured shit reborn, reformulated death rebuilt. Rustling leaves like waves hit and breaking, or like the thrum of a motorway, a flowing carbonated product, or a large gathered audience in a city theatre caught mid-mantra instigated by an inexplicably persuasive public speaker, a disrupted distress call subdued by signalling errors and inappropriate transmission conditions and rendered futile even humorous by static-staccato adjectives and feedback-abbreviated clauses that made a new incomplete linguistic framework. His thighs soaked through with conviction he sat on the memorial bench and the world happened, the bench he had mythologized into essence in an earlier consideration, the biographical information engraved on its scuffed brass plate distilling a lifetime into four innocuous words: he loved this place, the heartbreaking irony of the faeces and the piled – or not piled, the randomized disorder of unpiled rubbish feeling like an act of wilful disrespect to a nation of the dead – drinks cans and plastic food trays and wrappers that blew around the half-demolished breeze-block structures that had never progressed beyond the stage of rusted scaffold somehow lost in the obvious sincerity of the chosen font, eighty years and a life had amounted to this, an embryonic council initiative botched and aborted, stark reminders of a half-century’s misjudgements like warnings themselves, monoliths of failure. He sighed at the sound of an infant crying and let the rain hit his face like needle-pricks, a schoolyard taunt, the flushing toilet, the five-six faces all ass smooth and terminally cruel, die needle-prick die, the cubicle door slamming behind them muffled by the water of the washout pool. He remembered the face of an ex-girlfriend; her skin had been tightly drawn over her skull like a primate, and drew back from her lips in huge sincere smiles that punctuated everything she or anyone said. Her breasts had been microscopic beneath her clothes but he had taken a strange comfort in them in the two or three days their relationship had begun, existed and then finished; sleeping together to alleviate the loneliness of the summer, where the fact of their mutual lack of attraction was insignificant compared to the intrigue they felt towards their diametric genital specifics, the first kiss had been good as he explored her taut lips and her white teeth and held her face between his two palms like a ball, and they had ended up in bed and naked although he couldn’t remember how they had become so or what thoughts had led to it. The intercourse had been bad in the daylight that came through the curtains that were striped and too small for the two windows, worse than laying silently afterwards with the warmth of her flat chest – its nipples and areola like rubbery adhesive novelties – pressed against his own side, their breathing off-kilter and disruptive. They tried to kindle something again over the following days and nights but it didn’t get going. During the empty moments of which there were many she picked at an old guitar that she said her father had given her but he had seen a receipt for in her purse. He sat on the edge of the bed and she stood up in front of him in her underwear which he pulled down without thinking and looked at her pubic hair which was long and which he liked. Then she sat on the chair at his desk and played the guitar naked, a hand on a guitar, her torso short behind the curves of its body. While her hands moved across the strings with careful touches that drew notes that grated him inside he told her that if she didn’t stop playing he would put the guitar on the fire; it was a running joke they had and she laughed and continued to play. Later while she slept after against her better judgement he had come inside of her – and for nothing, she thought asleep – he took the guitar outside to where his friends were sat around a fire pit and laid it gently across the flames; all musicians they watched reverently while the hollow body caught fire and like Cerberal tongues the flames licked around the edges of the sound hole and the strings snapped with a weird atonal twang; when the guitar had fallen apart it felt symbolic but he couldn’t be sure why. He turned around and the girl was standing at the back door; she had got dressed hurriedly and was crying, he could see the wet tears in her eyes lit up by the flames, and she walked soundlessly down the steps and into the garden and slapped him hard across the face. The crack of the impact echoed horrifically around the neighbouring gardens. He thought for a second that felt like minutes and slapped her as hard as he could; she fell over onto the concrete but nobody moved to help her, even though he still had the smell of her vagina on the same fingers with which he had slapped her. They were supposed to go to the chemist the following morning for emergency contraception but it would never happen now. She stood up and walked back into the house. They heard something breaking and the front door closing loudly. All but the headstock had burnt away, left ashen like the pallets and logs and secrets they had already burnt. The next day he would run his fingers through the still warm ash morosely and think of himself.

2. Shopping

He didn’t have the shopping channel now although it was one of his favourites, not since the TV had fallen down the stairs in an argument a few weeks earlier – he had wanted to watch repeats of late 90s episodes of The Bill on a classic mediocre drama channel which shunned any programme with a consensus of critical acclaim in favour of cheap and readily accessible long-running serials; it had not, preferring rolling news content or – at worst – home improvement programming – “it has a practical value!” it said, communicating in teletext-provided subtitles awfully pixelated in one of eight colours in a jarring monologue at screen-bottom – and now it was in pieces, its plastic casing irrevocably cracked and its screen shattered in with a dull implosion and its once vital CRT now smashed into fragments and dead like the technology itself at the foot of the short staircase. When the magnitude of the situation started to dawn on him he knew quickly that he would have to make his own shopping channel by watching people shop in public retail outlets. A born spectator, he had little interest of doing any shopping of his own and no money besides; it was the idea of shopping that excited him, the possibility of the products and the people who did buy them. He liked it when the presenters on the shopping channel demonstrated a kitchenware live on air as though it were a complex piece of highly scientific if not dangerous equipment, when it truth it was a slightly awkward and cumbersome way of chopping vegetables for the left-handed, as large as a tissue box with a crude white plastic finish and packaged like the culinary revelation it was guaranteed to never be. He found himself privy to rough erotic fantasies that grew from the perfectly compiled features of the daily presenters: lines of his own spunk shot across the beautiful eyes and blonde blonde hair of Carmel Thomas; a considered handjob from beneath the salt and pepper stylings of Dale Franklin’s pouting, concentrating face, explaining as he did it the quality of the craftsmanship of the parts involved at the bargain price of not ten but only eight GB pounds sterling and ninety nine similar sterling pence; moving himself firmly into the bared reluctant anus of a distant Claudia Sylvester, a consummate professional, who recited reams of national rate telephone numbers throughout the bit with a glassy expression, her voice fading and returning rhythmically with every cock push, and the lines of her cunt struck out behind the channel logo in the name of decency; his mental close ups tended to flick between her face, which moved with the numbers, and his own two slightly bent knees. While the specifics of the faces of the presenters ebbed day-by-day into weird composite photo fit representations that were childish even macabre inaccurate messes of eyeballs and skin tones and entirely inappropriate genital positioning that were now confined strictly within his memories like the very products they had sold (“My Electronic Messiah Pocket” [£19.99 all in], “Thin-Vegetable Presentation Salver with FREE endearment engraving for loved one only [max 6 characters]” [just £79.99 plus courier P&P]) he told himself that he would not be disheartened, and made for the shopping centre, which crouched at the edge of the city like a secret grey mongoloid sibling that you sometimes heard groaning at night but still pretended didn’t exist, a sprawling complex once lauded as architectural futurity and now loathed as a dated and very grave error. First he followed a single mother as she bought cosmetics; her two children cried loudly in the aisles, and he mouthed at them to shut up. She bought a foundation cream, shampoo and conditioner in two separate bottles, a packet of sanitary products and some what looked like body spray, but he couldn’t be sure without asking her. Although she had not discussed the products as she would have been expected to do on the shopping channel – apart from perhaps in split-second mental processes that even she hadn’t noticed – he felt strangely alive or complete, almost as if he had bought the products for himself. This was the natural completion of the shopping act, transaction orgasm, the exchange of product. The world had become his television, he thought. He felt momentarily sad for his broken TV set; it was a lost friendship. But really, friendships didn’t mean a lot. The single mother was assimilated into his presenter fantasies; he would perform cunnilingus on her as she verbally demonstrated the versatile uses of shampoo around the household. Next he followed a teenage boy into a games shop; the boy browsed the cases of the games and read the text on the back of some of them. He watched him carefully from the other side of the shop and could almost visualise the telephone numbers displayed in a constant loop on his own shopping channel, the testimonials from satisfied customers that scrolled down the right hand side of the screen as text messages sent directly to air, spelling mistakes and all. In his fantasies this boy would urinate into empty glass coke bottles and drink it in perpetuity inside a salt-circle flanked by raucously masturbating schoolteachers while people phoned up for a limited edition ornament. It was an exciting time to be alive.

3. My Best Friend

They called Tidswell Childs ‘Boy Solicitor’, because of his age and because of his unlikely profession. At twelve years gone he felt more boy than man but reality disagreed, expectation too, and Boy Solicitor he was, would always be. The age slipped past the Norfolk legal profession unmentioned, like the paraphilia, and while some of the backstabbing shit-shots from the Cathedral Close would make infant jokes or nappy jokes or little bollocks jokes or hairless kid jokes or fish finger sandwiches on white bread without crusts jokes (like Q. “What does Tidswell Childs have for lunch in his child’s lunchbox?” A. “Fish finger sandwiches on white bread without crusts, fucking nappy-wearing hairless little bollocks good for fucking nothing infant shithead.”, &c.) in the soulless lawyer bars at the end of the working week, to his face they gurned with professional respect and clapped his suited shoulders – he got his gear in the specialist tailor and youth clothier ‘Manboy’ – and shook his hands like equals. His latest case was defending some guy called himself ‘The Human Landscaper’ and left flyers pasted up in underpasses and on lampposts: “I WILL DEFLOWER BY APPOINTMENT”, and other such sloganeering of no doubt psychopathic intent, his sexual services (they paid him, with pocket money or in grocery items taken from their parents kitchens!) now a menace through the high schools and the churches and beyond. His real name was Carl Sturgeon, 43, and – a walking self-fulfilling prophecy – he had a number of Piscean features and he had come to Tidswell Childs after his fourth arrest because he had heard Childs was good. The best. He was. The first time Childs laid eyes on him, hunched over double in a hard plastic chair in the police interview room with a face streaked with knuckle-sized bruises, the kid had punched him so hard in the balls that Sturgeon had thrown up thin bile onto the edge of the desk. “We’re not best friends,” Childs said, as he said to all of his clients to sever the personal. It was the motto of his chambers and printed on his letterheads. Tidswell Childs Boy Solicitor: Sever the Personal. It was sound legal practise and the two hit it off pretty well soon after. Sturgeon had been picked up for statutory rape, sex with minors and soliciting for sex as, weirdly, he had been selling his own body to those of virginal females for a bespoke deflowering service. For a guy with his modest physical attributes (Piscean, see above) and limited carnal experiences his human landscaping business had been quite successful, and the charges against him said that he had personally, through business transactions, deflowered as many as seven girls aged fourteen to sixteen – each of whom had paid him a nominal fee of about a fiver (the invoices, written in his own handwriting and with his name and address printed carefully at the top, were some of the more difficult evidence for his defence to deal with) and was apparently anxious to avoid the stigma of virginity loss within the closed ranks and guffawed fumblings of their own peer group – and one adult woman aged thirty-seven, although she was seldom mentioned in the legal documents. His adverts had been published in the local presses under ‘Other Services’, and when the police searched his flat they found a calendar that indicated approximately five other scheduled deflowerings over the course of the coming months, a success that Sturgeon put down to good marketing. As Boy Solicitor, Tidswell Childs had little interest in sexual matters, and what interest he did have was really abstract and essentially filmic and a long way removed from the actual physical coupling of two or more genitals in any real or tangible sense, and as such he considered himself to be perfectly suited to Sturgeon’s defence without being sullied or biased by the apparent severity of the alleged crimes. They discussed the possibility of pleading insanity over ice cream sundaes that Tidswell Childs’s mother had prepared especially, but they knew it wasn’t going to wash. It was in all respects a clear cut case: there were the achingly detailed and painfully honest testimonials from the traumatized girls (“he sweat into my hands”; “less than I anticipated”; “always imagined it to be better”; “the thing he shouldn’t have”; “if he was a real gardener my parents said they would have fired him and my parents aren’t those kinds of people generally and said as much”, &c.); DNA evidence found on or in underwear, nightclothes, bedclothes, genitals; invoices as aforementioned; the adverts themselves, as placed and paid for by one Carl Sturgeon; and Sturgeon’s own written confession, business model and business projections for the coming tax year (prior to arrest and detainment), presented bound and with charts and graphs as contextually appropriate (which in another high profile case also implicated his lenders and investors). And yet despite the damning evidence, Tidswell Childs said that the best they had were the two quite flimsy potentials which just might lessen the sentencing. The first was the intrigue – how had he done it, how had he made those girls pay him for their sex? There was something perversely thrilling about the whole enigma, and depending on the jury it could go either way, either jealously condemning with the full force of the law or, conversely, unconsciously impressed into clemency; the second was the unquestionable success of the business model, which showed spunk (no pun intended) and initiative and might be put to better use in serving the struggling Norfolk community. They were incredibly long shots, but Tidswell Childs was an incredibly competent solicitor and a master orator. His courtroom rhetoric was rife with abstract theoretical concepts and pop-culture metaphors that were at once archly modern and demonstrative of a profound wisdom way beyond his years. “You know Sturgeon,” said Tidswell Childs, his chin a mess of melted ice cream and stringy chocolate sauce, “I’m not sure we can win this one. But for what it’s worth you seem a good enough guy to me.” Sturgeon looked at him and gave him a blank business card. “Thanks Boy Solicitor,” he said. “That means a lot.”

4. The Party

It was the newest – not funnest – party (political) in town: the Badshirts. It was like the Blackshirts only badder (in shirt quality) but about equal in prejudice and (late) popularity, and formed by a guy who had convinced his own children that he was descended from a secret carnal affair between Oswald Mosley and his (the guy’s) maternal grandmother, a locally treasured Norfolk fascist from the Jarrold family who used her publishing connections to print BUF pamphlets in the early 1940s. Her extensive diaries were published in a limited run and gave detailed written accounts of their intercourse and correspondence, but the veracity of her claims has never been proven and most people tended to dismiss it because she was partly retarded at the time. The city’s long history of anti-Semitism crystallized into a kind of acceptability in Margot Jarrold, whose spirited and staunchly nationalistic speeches had been a regular feature at a variety of East Anglia’s gala events until her death in 1984. She called Jews devils but with sneering affection, as you would an infant relative whose shit you’d just sat down in, which oddly won her sizeable public approval. It was funny the way she slurred her words and trembled uncontrollably when she talked about birthrights and strongholds, everyone thought so. Although her desperate defence of Mosley’s Nazi alliance was always left bubbling under the surface of her ever-slackening drunken pallid chops, the legacy of importance and infamy was enough for Ferguson Cusp (he had lost the nominal department store heritage because of conjugal decisions and had had no contact with the Jarrolds’ since his parents had divorced twenty years ago and he been stuck with his oafish father’s sideburn oil and the vast lakes of sweat pooled on the ridged horizontal crest of his stomach) – he felt the blood of Mosley in his veins and he had a responsibility both to his ancestor and to the memory of the great politics of British fascism. He recruited three or four of his handful of close male friends with the promise of civic significance and a good meal and began educating them on poorly understood fascist history, paraphrasing ideological content into digestible, easily replicable quotes which made little sense once the surface had been even slightly scratched away. He shunned economic concerns and a wider sense of their own place within a broader political spectrum and instead tended to focus his politics on the decadent evils of the international Jewry (his grandmother had once famously derided the Jewish faith at a customer evening and had always refused to eat Jewish-influenced bakery products) and the debauched degeneration of the non-British peoples of Britain (in point of fact he had already had his first slogan, the profoundly odd “Get Lost, n-B P o’ B!”, printed onto a bulk box of five hundred car window stickers, with the Badshirts symbol smack bang in the middle [they had wanted to use the red/white/blue flash and circle motif of the BUF to give themselves some tangible association to their own imagined history but were legally obliged not to, so instead he inverted the symbol, which looked and was stupid for two reasons he failed to pick up on: firstly, it made it look like the lightning bolt was striking upwards, which felt much more wrong that it should have when you saw it; and second inversion was often considered not as an homage to but in fact a rejection of the symbol theretofore inverted, meaning that Ferguson Cusp’s inverted flash and circle looked superficially more like a specifically anti-fascist symbology, indicative of the kind of mistakes that would plague the Badshirts, after the joint decision to print all party stationery with the inverted flash and circle and later not have enough capital left to replace it once the anti-fascist suggestion had been pointed out to them {as well as typographical mistakes in the local presses which rendered Badshirts as Badshits, which – statistically – is one of the sixty most common typos made on QWERTY keyboards}]), mainly because the Jewish population of Norwich was probably less than three hundred and because most of East Anglia was fundamentally racist; curtailing minorities made for achievable goals. They shopped for hours for unanimous polyester-blend shirts, invariably bad because money was tight, and ended up with a few entirely shapeless mostly beige numbers, styles made all the worse because they didn’t look like as though they didn’t care but like they did care but had still failed; tucked into grey cargo pants that Ferguson Cusp had had left over from a part-time maintenance job a few year earlier – smothered in superfluous zips and pockets and clasped to their buttocks like oiled cling-film – they looked entirely absurd, like shitty carpenters who had lost their minds on what was supposed to have been a leisure-centric walking holiday. Regardless of the negligible quality of the garments the Badshirts felt the instantly gratifying sense of camaraderie and the psychological crutch that comes with donning a uniform however grotesque, and they felt motivated and invigorated and part of a bigger picture for probably the first time in their lives. Ferguson Cusp motioned for the mandatory wearing of hats but all they could find at short notice were a few lime green baseball caps, which they proudly wore despite themselves; Cusp even tried to grow a moustache like his hypothetical fascist ancestor, which he believed would give him a certain charisma that would invite people’s trust, but he had only been doing it for less than a week and so far only a few awkward tufts jabbed out from his philtrum at awkward angles with great patches of bald skin between them. Whilst no one really knew who they were they felt incredibly powerful in the streets, although based on the values and expectations of the twenty-first century their commonality of attire made them seem like an esoteric boy band of middle-aged, average-looking males, a world away from the bland, faceless, suited, corporate-looking pricks with all the magnetism of a wilted pot plant who had become synonymous with contemporary UK politics. With the fire of ignorance in their bellies they took a bus out to the cemetery, where there was a segregated section for the burials of the Jewish community. They began to push at a couple of the memorials, pressing their shoulders firmly into the stone and trying to turn them over, scuffing the lawn and soil at the base of the gravestones with the soles of their shoes and thinking general anti-Semitic thoughts. It was a futile act but in the cold light of day and with everything else he had been trying to organise like the shirts and the car window stickers with the flawed symbol Ferguson Cusp had not really had the time to give a great deal of thought to how he could essentially initiate his political party, with manifestos and public speaking and local councils and policies. He had enrolled himself onto a public speaking course at the college to try to learn some kind of rhetorical dexterity but it didn’t start for a few weeks and the combination of his dreadful machine-gun stammer (that actually did sound worse than he imagined it to, as opposed to the opposite which applies to most people with stammers whereby the audible stammering is not as debilitating as the stammerer imagines it to sound and is just the result of some self-conscious amplification of the impediment within their own head) and broad Norfolk dialect made everything he said sound as though he were undergoing a constant stream of intense strokes, particularly when he was nervous. Across a knee-high wire fence a handful of mourners from the main cemetery were pointing at the desecrating Badshirts, who had failed to make any real impact on the burial sites, and Ferguson Cusp raised a fascist salute and tried explain who they were and what they were doing, for their children and for Britain itself as a physical country, ridding them all of the foreign plague and returning the country to a state of false ancient purity. When the police arrived and pushed him into the car he was still stuttering over the first syllable of the word Badshirts, his face contorted with the pointlessness of the effort.

5. Snow Fun

The two policemen leant nervously over the gearstick and the handbrake – their stab vests creaking with the displacement, their radios turned low but still transmitting hissed warnings – and kissed gently in the darkness, and ionised snow fell outside the windscreen. It caused sparks to flare like bioluminescent insects when the snowflakes hit the bonnet, a tender light show that left the smell of charred vehicle paint and distant burning dense in the air. They tugged at each other’s belts with the apocalyptic urgency of the unexplained phenomena, the whole sky alight with the immense electrical blizzard. At the bottom of the hill unfortunate pedestrians fell to the floor and tried to cover their faces, to protect their skin from the jolt of the snowflakes, but they were far too many and they slowly fried on the pavement in huge numbers laid head-to-toe, cheeks left plague-blackened by the impact, the cumulative effect of hundreds, thousands of small electric shocks wearing away the threads of their lives like the elbows on a loved jacket. Birds dropped dead from the sky, hearts burst in their chests, and the river surged with a faint blue aura that hovered inches above its surface. The policemen heard the chaos below them; heard power surges and desperate pleas; heard crying children whose plastic anoraks had melted to their skin while they tobogganed down short grassy hills; heard the terrible drone of vehicles turned blind without traffic lights and staggering to forgotten destinations while their sat navs – circuitry corrupted by the charge of the snowfall – instructed them calmly to rest, rest, rest; heard one hundred thousand tearful telephone calls to say goodbye or to hear a voice or to feel the rapture all amplified through the æther; heard the elastic scrape of the flexing bristles of the City Council workers rubber brooms while in protective gear they swept the snow into huge non-conductive vessels that hummed louder with every deposit like portable substations, and vibrated slightly with the weight of the energy; heard the creaking alien twang of the falling pylons that flanked the peripheries of the city as they buckled to their knees like Goliath crushed, lashing cables tossing sparks with sharp whip-cracks propelled by their own tension, the sound of the collapsing metal like an ancient scream rendered obsolete by the glut of the ionized snowfall. They heard it all and they listened, and felt the weight of the guilt of their profession in every piece of uniform they shed.

6. Spring Clean

They called themselves ‘Murder of Prose’ – oh were they ever happy with that, such multifaceted nomenclature, the symbolism, the wordplay, the slightly ominous (Southern [Norfolk {of Norwich city, at least – to wit, Surlingham}] Gothic) allusiveness, the Poe referential, the unmistakable and publically verifiably creative intellect behind any such titular pronouncement of bloody great greatness; it was trouser-droppingly, eye-wateringly, perineum-clenchingly terrific, and it was theirs, they, them had done, which is to say named, it, or rather, THEMSELVES, given birth to their own personas; fucking geniuses was the consensus among them about them, geniuses, genii even, whichever the righter these writers most certainly were – and each of the four longed to reconstruct their entire lives as written, specifically prose metafiction, leaving just their own unpublished representations – albeit at once infinite and bi-cosmic (mac- and micro, pertaining to [a] scope and [b] event stature/assessed mundanity) and perpetually incomplete – behind for historical record and or interest and or lack thereof, replacing the physical life of repayments and gainful employment and what they collectively termed the LCs (or lower concerns) with extensive fictionalized autobiographical accounts of the minutiae of the lives they imagined but didn’t and wouldn’t live. “The big picture,” they smirked as one into wine glasses half stuffed with tepid Pinot, any sense of individual voice long-absorbed in the kind of highly nasal self-congratulation that an incredible arrogance affords, “is beyond passé to the extent that to call it passé is itself passé thus rendering all comprehensible notions of ‘passé’ and what it means to thereby be so considered – and in fact any attempt to render any kind of emotional or theoretical response to absolutely anything outside of oneself – profoundly meaningless, and it’s fucking boring and bourgeois to even think about momentarily let alone speak of even though I have now here right now accidentally spoken of it but only in order to assemble a point of higher intellectual standardization that as cultural commentators it is our duty to undertake, my faculties are larger than yours (by which yours I refer of course to the wider ignorant public person rather than to my own prose associates seated in positions thrice around me as such, gesture, gesture, gesture); in recapitulation: give me the SMALL picture and note even comment on the irony of my deliberately capitalized speech pattern.” Appreciative titters, rippled applause you just wouldn’t hear elsewhere. This was the literary elite that that cunt Amis could only dream about. They would renounce the lived life, it would all but cease, the dirty and the physical both, abstracted into sentences and dialogue and webs of intertextual reference; relationships would be plot devices, characters mere vessels of ill-conceived ideologies, events and traumas clumsily symbolised out of meaning with a hearty sweep of the keyboard, swamped by the void of absent reality, all the worth of a fundamentally racist joke told to a room full of sleeping children, no context. For life itself was hard, shit too; all the better to create a life of one’s own in some wilful act of atheistic intent. Fuck God! Fuck you! “Our balls will be clean, impeccably so, distinct as they are from the life outside of our – as singular personages – selves.” They were all depressingly in the midst of the 35-45 years demographic and on the face of it – how right that face was, how right and telling and insightful – none had amounted to a great deal of the kind of value they aspired to, save for a comprehensive and unshakeable sense of their own self-worth which sat uncomfortably with the stark minimalism of their own proven skill sets. Curtis Bunyan was the – mostly self- – appointed leader of the collective, an oxymoronic nominal title that he especially relished. He was a former performance poet, whose okay/decent live sets were rendered worthless by the flat, drab pamphlets he insisted on publishing once a fortnight. He had alienated his old literary circle – poets – by proclaiming with the tenacity of a French theorist that his remarkable intellect was limited by the poetic medium and that he himself was better – which is to say too good for and to associate with by proxy – them (his old literary circle). The other three were all slightly in awe of his hostile personality, and all had been personally insulted by Curtis Bunyan at his final poetry performance – at which his wife had given a pretty uninspired reading of her prepared statement which outlined her intent to leave him for the master of ceremonies, a twenty-three year old shit with a Faber pamphlet under his belt – and the palpable tension between Bunyan and the rest of them felt like drowning on television. He had singled each of the three (Murder of Prose) out for particular, mostly unwarranted criticism; they had performed some of their own prose-poems during the open mic section that had preceded his finale and Bunyan, near immobile with drunkenness and public shame and embarrassment and a whole lot of other bad or otherwise negative feelings, deconstructed their personalities at length in – to his credit – measured stanzas of iambic verse that became more slurred until, with the lights up to full and the room pretty much empty, chairs being stacked around him and the guy behind the bar cashing up the takings, Curtis Bunyan was just shouting noises and sobbing in a weird kind of rhythmic breakdown. He had been unemployed for thirty-six months, a calculation he insisted on doing in monthly increments for the added gravitas, despite his CV containing a wealth of carefully selected superlative adjectives. Keith Denmark had been especially enamoured by his first taste of the scene; his own persuasions had emerged at eight, when past a mouthful of white Granny Smith flesh in his primary school lunchroom he honked the rather one-dimensional and entirely mortal line “apples are beautiful” with all the meek sincerity of a romantic, an image only slightly scuppered by the pools of digestive saliva that dripped clear as day from the corners of his lips that had been puckered into whistle shape by the half-chewed fruit. The other kids beat him shitless with the kind of humorous determination that sticks through the whole of a school career. They quickly formed a collective, the collective (made an unholy foursome with the addition of a pair of brothers who for reasons inexplicable had by idiot parents both been christened Neil), and threw themselves into theoretical prose around Curtis Bunyan’s dining table. Glasses refreshed, then, the matter at hand remained pertinent, even grew in pertinence with each conceited declaration, four faces further reddened (to crimson, to claret, to – even – Burgundy!) with the delirious unchecked pomp of desperate dreams. “We must write ourselves out of existence!” barked Bunyan, slapping his open palm onto the surface of the table, the wine glasses clinking themselves in an unconscious but unanimous ritual of agreement. “Bloody bastard well out of it!” Even the walls groaned aye. “And how – YES! – how do we do it, Curtis? How do we WRITE OURSELVES OUT OF EXISTENCE?” Curtis Bunyan swallowed down his wine in an ugly gulp – the wine got cheaper as the night progressed, from five (half price) to three (full price) pounds with the dead hours – and dropped his glass onto the wooden floorboards his wife had chosen – shitty varnish. The master of ceremonies for fuck’s sake. Cunt called himself postmodern in self-publicity! Fourth rule of literary longevity, but fucked if I can remember the other three: don’t call yourself postmodern in self-publicity – and it smashed easily, like it was made to do just that. Then he took the bottle and swallowed what was left, about half a glass worth; there was a gag reflex mid-swallow which the other three tried not to notice, but he had been shaken by their pitying squints and they knew that he knew it. He dropped the bottle too but it didn’t break and only made a noise that was drawn out by its loud circular Sisyphean arcs back and forth across the oak. The neighbours would be knocking soon. Unsteadily he stood up from his chair, which fell onto its back behind him, and walked around the table taking the three glasses of the other three writers and drinking their respective quantities of the wine and then dropping their empty glasses onto the floor as well. “It’s very simple,” he said, lurching back to his chair with an accidental urgency that motivated the others in spite of themselves. “Very bloody simple: we write.” He nodded with his eyes closed, basking in the majesty of the truths that he had revealed. “We keep on fucking writing. Just stop doing and start writing; and the first one to stop is out. Out? An easy quiz.” He pointed to the door. “Now write,” he said. Keith Denmark nodded excessively and watched Curtis Bunyan’s head roll slightly on its neck. “WRITE!” He shouted this and the sound of his voice reminded him of his own gone wife. They picked up their satchels and pulled out netbooks and wrote lives for themselves from the confines of a lamp-lit room, their lips moving with the birthed words, their own memories replaced by the false ones they created, the awful inevitability of real events completely erased by the genuine excitement of things that could but never would happen. They wrote with the desperation of pricks. So when Curtis Bunyan’s sister came into for a spring clean two or three weeks later – she did it every three months – they were all still sat at the table, only the place really stank and their trousers and pants were full to bursting of weeks of their own shit and piss; their netbook batteries were long expired; their unshaved faces cast hideous shadows on the highly polished floor; and reams and reams of printed manuscript all double-line spaced and of Times New Roman font were piled unfinished at each of their sides. They were still and cold and colourless. Oh how they had written themselves out of existence! How dead they really were! She flicked through some of the pages but soon stopped; it was quite a lot of what she’d call – and she’s not a literary critic but she does know what she likes, Curtis – shit, not really her kind of thing at all; no real purpose to it, no proper ending etc. It just stopped.

7. A New Boyfriend

Her new boyfriend was one hell of a guy, that’s why she made him up. He had all the best chat-up lines: “I dreamt I held your cunt cupped in the palm of my hand”; “butcher’s counter! baby your decorative facial components in the light of the refrigerator are decently prepared meat cuts to me at attractive prices also”; “please let me bask in the imperceptible motion of your triangular tits like skin stickers on your ribcage”; “in the right light – which is darkness or near-darkness, half-light, dusk – your simple face like heavy-handed etching into slabs of solid limestone can almost look prettier than it otherwise might”; “your unintentionally cruel mouth looks less so when it’s parted around my half-hard glans”. She imagined his jaw and his thumbs so vividly. She was a chronic frotteur, had been for years, a condition she attributed to what she considered to be her excessive height although she was only five feet ten tall. Her pale plain face glowed eerily in the dark at rock concerts, the sadness of its structure made all the more terrible by the insistent creamy hue of her sunken cheeks. When she closed her eyes, laced heavily with pouched black bags sagging beneath them like some alien marsupial, she heard his voice loudly and felt his hot almost rank breath in the canal of her ear – he always whispered in the left ear – and it made her squirm some and the hairs on her forearms stand up. He would say the cunt thing, grunt it with an incredible declarative urgency – she loved the idea of her cunt, the whole cunt, being held in a hand as though it were a separate entity disengaged from the complexity and awkwardness of her body, just a fleshy composite of self-lubricating physical entertainment as transportable as any other handheld article of modern social life but rich with nerve endings and receptors instead of solder and microchips – or perhaps some other innuendo or a directly sexual observation or proposition and she would feel herself swept away into the ringing delirium of what she considered to be love, and she felt deaf and her head went hot and she almost blacked out. He was an amazing guy and an even better lover and she imagined his fingers in place over her vulva and it was exciting because nobody else knew about it or even saw him let alone the handful of fingers he had slipped under the waist of her jeans in primary colours and was right there going to gently fuck her with to a forgettable indie band. Before she made up her new boyfriend the frotteurism had been getting out of hand and she was rubbing against usually six or seven separate people in a given day. At the start it had been quite discreet, just hands or arms against the same in crowded public places like shops and station concourses, where among security announcements and luggage she made herself come with the delicious sensuality of unspoken, unreciprocated and unnoticed physical contact. The three un’s became the hallowed triad of her blossoming paraphilia, and she often told herself that is she ever had the spare cash then she would have the words tattooed above her pubic hair, each word forming one of the three sides of an isosceles triangle. In queues in the supermarket she would brush the outside of her hand against the hand of another, little finger side out, and it was amazing to feel close to something; hurriedly it escalated to buttocks, her hand pressing into, and it was so intense that she had to make a conscious effort to not shout or scream out. She found the flat shapeless buttocks of otherwise fat men to be the most alluring; she didn’t know why but assumed it to be something to do with her childhood. And also the buttocks of other women; she hadn’t ever felt sexually attracted to a woman and didn’t now, but the fact that their buttocks like hers and all women’s led onwards to a vagina made them seem quite special. Sometimes people would notice her rubbing her hand up against their private buttocks but she always looked away and folded her arms, and nobody ever said anything; hands on buttocks is a pretty common phenomena in well-peopled locations, and the exhaustive statistics she had constructed showed that 46 per cent of the body parts of 66 per cent of people had at some stage in their adult or child life been non-consensual party to frotteurism, statistics which she thought must surely speak for themselves, if at all. Over time the frotteurism progressed to more conspicuous body parts like thighs and her own glutes and frontal pelvis; she rubbed her thighs against people’s idle hands and imagined they were involved in a passionate physical relationship, the kind depicted in passionate TV films. If she was sitting next to somebody in a cinema or on a bus or something she would start gently rubbing her thigh up against their own, testing the water; when the two thighs touched the resistance was arousing, and she would do it gradually more and more until they would usually just reposition themselves so their thighs were out of reach and probably think that she had some problem or was mentally retarded. The pelvis and the glutes were much harder to achieve but was the fetishistic end point, and the thought of it preoccupied her until she had to leave her job. Over a period of weeks she found that the most likely place to get away with it – please remember the three un’s – was on rush-hour underground services, and she visited London for days on end to scale these new heights. When the trains were at their most congested and the stench was of combined strangers most confidential body parts she let her body move with the rhythms of the train and the tracks, the turns and jumps in the lines which she memorized, and at the right moment would thrust her intergluteal cleft back onto the thigh of another passenger and rest it there for fractions of a second, or allow herself nearly imperceptible vertical movements which blended meticulously with the atrocious conditions of the morning commute. She straddled the correctly angled legs of commuters she would single out, left each of her legs flanking their own, and with every jerk of the carriage let her vulva collapse onto the thigh, itself tensed for stability on the moving train. On the several occasions that this went noticed she found it difficult to explain, and the interpretations were usually so far off; people thought it meant that she wanted to fuck them, that this was part of some primal seduction that predated language and emotion both. Some of them would follow her off the train and she would usually let them do it, although she wasn’t really into it, because it seemed the polite thing to do; they were always silent and very quick because they had wives at home – rings, eyes guilty and apologetic – and didn’t want to be late for work, and in the quiet streets around stations their moving cocks just felt so dead compared to the triad. She decided to try psychiatric therapy to address what her doctor had said was a problem, although in truth she couldn’t see how it was that much of a problem for her or anyone else. As is often the case the therapy proved to be much weirder than anything she had ever done herself; a room of three women including her and six men all dry humping mostly limbless androgynous mannequins – they had no arms and their legs stopped just after the buttocks – while a therapist took notes from a chair at the front of the room and two or three more therapists watched on monitors in neighbouring rooms. She assumed that the men must have gone at it until they came in their pants and found it unsettling that they never went out to clean up and just sat back down in plastic chairs with slightly ruddy cheeks and waited for the therapy to continue. The therapist explained that frotteurism was an essentially incomplete act that never allowed for healthy climax, and it was this lack of any tangible conclusion that gave them the patients these terrible psychosexual issues; by allowing them to pleasure themselves frotteuristically but to the fullest extent – i.e. sexual climax, with the supplied mannequins – the therapist was confident that he would show them that genuine sexual pleasure and fulfilment could only be attained through the complete (linear/Aristotelian) act of sexual intercourse and not through practice of the frotteuristic triad (although he didn’t use the term ‘frotteuristic triad’ because that was her own personal term and thus not recognised in the psychiatric community) that was, he said, fundamentally anticlimactic. She disagreed silently because she routinely reached a particular kind of orgasm during her frots. The crazed eyes of the other patients as they ground their pelvises into the mannequins were almost inhuman; it would be one of the images that stuck with her throughout her life. She sipped weak instant coffee whitened with powdered milk from a polystyrene cup with her mannequin sat on the plastic chair next to hers. The therapist tried to engage with her and asked her why she didn’t want to rub herself against the mannequin but she ignored him as politely as she could and left after a few of the sessions; they were voluntary anyway. She booked tables for one for her and her new boyfriend, and ordered soup with crusty bread and listened to him talking all night, then swigged from a bottle of cheap white wine while they walked each other home. The new boyfriend had had a positive effect on the frotteurism, too; she no longer rubbed up against strangers, the triad not forgotten but just a memory. All she needed to rub against now were the imaginary body parts of the new boyfriend, willing her very buttocks against the sensual abrasion of his day blue jeans. He stripped her in her mind and they rubbed together in white clammy skin and attentive palms, and his chat-up lines grew exponentially into an endless text of swelling signifiers and astonishing beauty. In those times and others they were real lovers and were complete.

8. The Girl in the Red Dress

The girl in the red dress waited outside his office for him every evening, piles of discarded chewed nicotine gum dotting the pavement around her in a semi-circle like the amulets of a bizarre suburban witchcraft. She wasn’t a girl at all but a woman of almost fifty – a dark bottle blonde former club singer whose strained movements and erratic gesticulations made it seem as though she was always one step away from collapse, and her painted bottom lip trembled rapidly when she let her guard down – with the promise of wordless intercourse beneath the tight red dress. He had met her in the train station a week or so earlier; she had been sitting on the floor in convulsive tears, the other commuters walking in large circles around her as if she were half-completed cordoned-off maintenance work. With her knees pulled up to her chest and tight balls of sodden toilet roll stuck to her face he could see up her dress right to her underwear, to the thick pubic hair that curled out of its sides. Even from fifteen or twenty feet away he could smell the sharpness of mid-range vodka on her breath and the intensely artificial scent of her perfume brought literal tears to his eyes like strong eucalyptus medicine, so strong he could almost taste it. He had recently got involved in an internet circle of “Sombre Porn”, which at its elemental level was based around the paraphilic enjoyment derived from the weeping of women of a certain age (usually over 40s, whose sadness always seemed more convincing); it was an increasingly popular niche, particularly with the Chinese and the Russians (something about their red past or present seemed to lend itself to eroticised sorrow). The usual formulaic scenario for the sombre flick would be one crying woman and at least two guys – the woman would get fucked by one of the guys, crying all the time, while the other one watched them both doing it. The really exciting part came from the metafictional techniques that tended to be a feature of the genre: the second male (i.e. the one not fucking) would frequently look directly at the camera and slowly masturbate while addressing the audience with a hauntingly detailed expositional narrative regarding the origin of the woman’s grief – maybe a dead spouse or a long-term debt problem or something – the hearing of which recounted in such a cold and detached voice making it far harder and worse for the woman, of course, and making her cry all the more as the gravity of what she was doing kind of sank in right at that moment, and the devastating eye contact of the masturbating narrator whose measured blinks were tantamount to hypnosis coupled with the woman’s sobbing and the other males two moving buttocks or sliding cock and awful white British thighs patched with spots of hair was somehow deeply arousing, atrocious and pitiful all at the same time. He had got into it through a guy he knew from work, both administrators within the health service – they enjoyed giving out their public sector email addresses on internet forums, like an instant token of their own self-worth, and used their computer ID cards for discounted takeaways. The girl in the red dress had been trying to lever herself up from the station floor without success and he offered to help her, eyes of the whole station watching with comprehensive expressions of disgust drawn over their flowing cheeks, the embarrassing spectacle of the whole bloody thing frankly improper and ripe for judgemental recounting, for use as a comment pertaining to something wider, of national significance, the drunken bitch in the red dress symptomatic of a more generic degeneration of the UKs moral code, their lips so stiff with genuine almost maddening revulsion that their mouths looked like wounds hacked into the cold vertical flanks of slaughtered pigs. She clutched her mottled arms around his throat and he led her out of the station; she wanted to get a drink and they sat in a pub across the bridge looking at each other over the table, she doing these half-smiling apologetic shrugs for the state she was in but then snorting out tears the minute he said it’s fine, her face looking younger in the flickering blue and red lights of the video quiz machine, its fine lines filled with occasional bursts of ominous music, the theme of a dated TV show that really showed its age among carpets and a uniform choice of mundane lagers; she stopped crying after a few doubles and her hands steadied and she started to explain, her voice deeper than his own. Her husband had died quite suddenly a few days earlier, diagnosed only a month before that with some kind of cancer – she thought pancreatic, but the medical specificities eluded her in the haze of empty glasses – and she was ruined by the grief. Loosely he held her orange leathery hand while she spoke and she pressed her long white fingernails down into his palm and told him how alone she was, how she didn’t know how she would cope, how she was still young at heart and only slightly older in body, and he looked at her breasts and the edges of the underwear that crept above her hemline. Two drinks a piece later and they were in the toilets locked in a cubicle, kissing with the kind of fervent adolescent awkwardness which suggested that neither had ever done such a thing; she knelt on his suit jacket on the tiled floor and sprawled across the open toilet seat, and he fucked her from behind and was finished almost instantly. They straightened their clothes in the smell of pub piss and the whine of the extractor fan, her knees red as her dress in circles from the hard floor. When he asked her if she had the money for the train fare to wherever it was she was going she started to cry again, and thanked him for letting her feel close to somebody even if only for a brief time – which made him feel momentarily inadequate – and she hoped he didn’t think badly of her for doing something like that so soon after her husband’s death but that grief was strange and she needed to feel needed or even alive. It was getting late. He said he didn’t have a telephone but would like to see her again and so told her where he worked and said she should meet him at five o’clock one day, if she wanted too. A handful of trysts followed an almost identical pattern and always climaxed in the same pub toilet cubicle, every day as though they had never met before – she tearfully took him through the story and he emptily consoled her into mechanical intercourse. On the sixth working day again she was there outside his office; he walked over to her and shook her hand – they performed this odd formality religiously, gave their meetings a superficial hint of respectability – and said that he wanted her to meet some of his friends. Her eyes were dry and it was the first day that she looked as though she hadn’t been crying since he had met her in the train station, and even the smell of vodka was weaker or maybe not there at all; she hugged him and he felt her breasts pressed into his chest. They took a taxi from the rank at the station to a small flat in a red-brick block on the edge of the city, the face of the building dotted with enormous satellite dishes that were now entirely functionless but left pointing at the sky as though the earth had been abandoned. She followed him up to the second floor and into one of the flats where two men were standing with nothing on but white sport socks that were dirty black on the soles and with half-erections hanging in front of them. There was a digital camcorder set up on a tripod, pointed at a queen-sized double bed with a cheap armchair next to it. The men said hello to him but barely even acknowledged her and she felt startled by the camera and by the big spotlight that one of them turned on at the plug. “Take your clothes off then,” he said getting behind the camera, and she felt afraid and didn’t want to do it and considered her dead husband, but in tears – they came! – she did as she was told.

9. Pizza and Talking

The fire swept through the house over pizza and talking on the night of June twenty-fourth. Peter Falk had died the day before and there was no better way to commemorate his life than with three or four slices each of quite mediocre supermarket-bought pizza. We’d been an item for a week or two, had hit it off at a bus stop with a limp Benjaminian (she said even Nietzschean) analysis of Wings of Desire. “These angels,” I said, “Are Benjamin. ‘Where we perceive a chain of events he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front on his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.’” I said it like I was paraphrasing but of course I wasn’t. “That’s the thing – they sacrifice it all, all this divine atemporality, this immense kind of boundless knowledge, all of eternity just a timeless mess of crossed wires exploding in the same instant. They sacrifice everything for the taste of a hot cup of coffee from a portable vendor, and to dress badly and to fuck a circus acrobat. They throw it all away to enter the horror of the world. Their angelic paradox! Born into time, from one hopelessness to another. And Peter Falk was one! The Angel Columbo.” We played out our favourite scenes and drank jugs of coffee until we felt sick, and I thought a lot about Peter Falk. She was my Solveig Dommartin, I her Bruno Ganz. We didn’t clutter our short relationship with sex. We crept through the remnants of Norwich’s ancient city wall as though we were defecting in 80s Berlin to the promise of the West, which somehow felt pertinent in Norfolk, geographically at least, even if not ideologically. We sat on armchairs carried from charity shops in the heart of the wasteland at Anglia Square, our own pre-re-development Potsdamer Platz flanked with flyovers and traffic calming measures and history crushed beneath mistaken policies, Berlin’s infamous graffiti poorly replicated on our local government-allocated fascias with the principles stripped away, soullessly marking territory with paint cans and illiteracy as the new scent glands, a Sisyphean attempt to come to terms with mortality – to beat it with the permanence of spray paint – that could at least keep them busy until the inevitable, this endless futile spraying, their pigmented particulates carried off by the terrible wind in faintly coloured gusts before a mark was even made. In shirtsleeves I held the ropes she would swing from, looped over lampposts in quiet streets undisturbed by police. We strode the library’s first floor in overcoats attempting to tune into the internal conversations of the handful of readers who littered the leatherette suites, but they were silenced by bored librarians as soon as they opened their mouths, and the elderly seemed fearful of the length of our coats, as though we planned to strike terror into the hearts of the reading public with an unimaginable devotion to the discreet eavesdropping of their routine conversations, of the simmering profundity of shopping lists or worsening health issues or unquestioned nationalism. We preserved reality itself with endless rolls of monochrome film in old manual SLRs, and we were struck by how each of our hundreds of photographs was so tedious or lonely but was so important because of it, and we stuck them all to my bedroom wall and felt like we had transcended time. When we heard about Peter Falk on the news she clutched my arm and cried as though each of her family had died of simultaneously befallen traumatic injuries, a car crash or gas explosion. His was a horrendous death. The almost-greatest American detective ridden with dementia following dental procedures. It didn’t make any sense. We waited for the headlines: “what would Columbo say?”; “just one more thing... what was I saying?”; “solve this one”; “FALK DEAD! (also Columbo, by association)”; but they ran with gravity: “Columbo actor dies aged 83.” “He wasn’t just Columbo but an angel also,” I said. Ass-backwards. Glass eye. Brando tongue. Virgo Jew. Jesus, Peter Falk: when you died you didn’t even know who the fuck Columbo was. The one thing you couldn’t preserve was always going to be yourself. I put the supermarket pizza into the oven and we re-watched the scene where he talks about how it feels to smoke and have coffee, and we sat at either end of the sofa. There could be no romance without Peter Falk; no memories either – just endless empty time. We watched the scene over and over until the pizza was ready; I sliced it badly into six uneven pieces and put them all onto one plate. She stayed in the front room listening to Peter Falk. When I went back in she had set fire to the corners of the curtains and the armchair and a couple of parts of the carpet and they were slowly starting to catch, intense orange flames flaring behind the thick black smoke from the artificial fibres. She was crying and watching the plumes of smoke and Peter Falk was saying “there’s so many good things”, and I led her to the sofa and we sat down and ate the pizza carefully, just as we imagined Peter Falk would. We talked with the pizza; it felt like the first time we had ever talked, and we both agreed that this – us – wasn’t going to work out. It wasn’t that kind of thing, we agreed, and it felt terrific to agree, and the fire swept through the house. And we ate pizza from that one plate, and watched Peter Falk who had died the day before.

10. Jim’s Band

In the erotic weeks of the media’s new century, of everyday sexuality made public through continuously blogged thoughts and contradictory broadsheet polls – filthy angels sanctified hairless vaginal declivities! heroic iron pectorals pointing ever downward in lines of defined muscle to modified similarly iron cocks smooth as rubber, literally or almost! – whose goal was to purify the brute out of congress, cleansing the nation’s final sweaty hump and trembling-kneed bunk-up into the endless tedious annals of normalcy and social acceptability, the violent romance and mystery of fingers and secretions and tights patches of sensitive skin at first touch unrecognisable in the dark instead made a point of public record and expectation, an hygienic and sellable commodity rendered sterile by creams, washes and feminine fragrances that dulled the essential odours of life until the taboo of merged genitalia could be stultified into afternoon TV material (“you can even do it on a semi-crowded city bus route, so perfect are your genitals”; “please do objectify your children’s currently ill-developed future bits, it is both normal and proscribed by the consensus formed by your voting choice to protect future investments, appendages &c.”). In the Bortholinian depths of staunch carnal fanaticism that grew from our great British repressiveness he – Jim – was humiliated by police investigations of his preposterously flaccid hard drive – just a few Word and Excel docs, family photographs, no more than a handful of MP3 files (mostly repetitive positive mantras looped over archaic string instruments or Christian-focused spiritual self-help dictations) – and scribed onto the Nonviolent and Asexual Offender Register (or, absurdly, NonviAsOr). He was a marauding Christian whose ethical considerations pertaining to the sanctity of the physical body, love and Christ the saviour left him harshly opposed to not only sexual promiscuity but also the commodification of sexual intimacy – or more specifically the social expectation to be sexual in every aspect of life both public and private, both in- or outside of a nominated bedroom facility – that had flourished with the boom of late-capitalist media giants who had ironically achieved far greater results than any economic revolution had managed before them in making people – all people! – believe that everyone deserved everything, particularly surgically-enhanced sex organs and a constant stream of sterile sexual intercourse that like a film unfurled plotlessly and with negligible human interaction and was unmarred by mess or unpleasantness of any kind physical or otherwise and that was instead simply two hyper-stylized husks of what was ostensibly just sculpted genital meat rubbing clinically together with all the urgency and beautiful smut of a couple of shrink-wrapped androgynous plastic dolls, photographed and uploaded before it had even happened, the coldness of the act somehow washed out by the impeccably high definition of the pixel-count that made minor stars of even the most pointless amateurs. The contradiction of their idiocy made him reach for his dead sister’s Bible in desperation. They professed a moral abhorrence of both sexual intercourse as a genital act – it was horrible and nasty and perverted and wrong, something to hide behind MDF doors and be ashamed of as an unfortunate occasional necessity, an unavoidable component of reluctant conjugality, the Augustinian procreative method – and as a theoretical or visually represented aesthetic yet conversely also idolised the same – so long as it was sterile and glamorous and acceptably distanced from the tedium of their own bedsheets, which left the real sex of moving parts loathed and the plastic sex of mass media doctrine worshipped at like a flawless flesh altar. They wanted to shelter their children from the reality of sex, to punish their erroneous adolescent hormones and to petition against institutionalised sex education, all its talk of penises and vaginas and choice so grimly believable, but thrust them into a world of Lolita-brand child beds and padded bras for the early teens; they condemned the terrible vulgarity of page three girls – never the advocated chirping ignorance of same – then gave waxing tips for euphemistically named body areas in girls magazines and derided anything but complete hairlessness. It was make-up they wanted, spread like camouflage over every imaginable organ, sanitary congress entirely free of the truth. This Jim found objectionable. He had started a campaign, Jim’s Band, and threw rallies in community centres across the city, promoting abstinence to rooms of baying thirty-something men whose very facial expressions spelt out free internet pornography around their cans of tepid Fosters, and grave young mothers whose magazine choices and idle dreams of labiaplasty sat uneasily with the £3.50 they had given Jim’s male assistant for a shitty silver abstinence ring for their under-tens. He alluded to the Bible abstractly but knew it was pointless in his secular misery. His rants against sexual commodity became increasingly impassioned, and he promoted what he called observable abstinence; that is, abstaining from the observable facets (i.e. pictorial representations [of genitals so removed from life to have been constructed in controlled laboratories and extracted for the shoot only moments before], [poorly] written articles, television quiz shows, &c.) of sexualized social norms by not allowing oneself to succumb to media expectations. “Allow children to be children”, he implored, arms outstretched, “without a wide sexual vocabulary still meaningless to the limits of their own physical development; allow yourselves to be happy with your physical lot, to relish the God-given idiosyncrasy of your conventionally abnormal genitalia or erogenous pieces; do not fetishize the perfect non-drip intercourse of your perfume advertisers three minute narratives, where declivities smooth as dolphins heads conjoin in sweat-less filtered light, for this is not even a myth but a lie; the absurdity of our promiscuous culture must cease lest our future sexual expectations become even further perverted by the wicked desires of our media barons.” The mood at the rallies was sour from the beginning; no one wanted to be told what they were doing wrong by a stranger, condemning everything they held dear: the Friday night fingering in the pub car park; the Saturday morning wank over the fashion pages of the broadsheet glossies; the deafening innuendo hollered by an entire pissed demographic like prayer above the dire music of chain wine-bars, alluding with increasing impropriety to the joyless horrors of the pending inevitable and sniggering blushing into their mates ear that someone’s looking over; the nipple slips and bared buttocks of the great night out; the tearful kid inexplicably slathered in orange like a fancy-dress shoe, the acceptable face of child molestation; the double-espresso glugged over the full bikini wax. His fourth rally of the week was in Catton Grove, and due to bad planning was still going on at pub closing time. A small crowd of Baptists and one or two young couples soon swelled to about forty people, all filling up polystyrene beakers with thin tea and sachet after sachet of sugar, laughing loudly every time Jim mentioned sexual intercourse. He kicked the flipchart over – just thick fibre-tipped text saying NO was all he wrote at all the rallies – and his voice started quivering with the impotence of his own celibacy; he pointed at individuals stretched like proven dough into pastel polo shirts or short sleeved supermarket cotton, berated them with a really intense attention to detail, told them the media sanctioned genitalia they set as their wallpaper or numerically valued excitedly spluttering out crisp crumbs in pub debates was making loveless bastards of them all, was stripping all the warmth and beauty out of the sexual act and leaving it as clinical as surgery. Made whores and outlaws of their children. They were told to desire lies and they lapped it up like a pack of wankers, he said, vaguely crossing himself with every expletive; they might as well shit onto every page of the Bible. “Shit on every page of the Bible,” he commanded. When the police showed up Jim had taken to his knees and was still yelling but the words were unidentifiable, just noises, collections of glottal syllabic gasps, the crowd silent but bored and refusing to leave for reasons they wouldn’t consider for days afterwards. The officers couldn’t believe the nerve of the man. He was arrested on charges of asexual harassment, as well as intent to incite abstinence, destructive self-discipline suggestive of mania, and the wilful and disorderly public condemnation of harmlessly arousing media portrayals and the associated expectations as translated to the sexual attitudes, preferences and normalized desires of the average twat on the street. The stigma of his asexual tendencies would be a matter of public declaration from thereon in, on job and credit applications; he was a danger to the industry. Nauseated by the deviant sex acts of the working classes the two policemen proudly compared laminated photographs of their wives designer vulvas and gave detached assessments of their value – monetary and aesthetic – to unspoken criteria as though they were appliances, and Jim prayed for deliverance from the packaged sexual commodity, an ideological intercourse now strictly a pursuit of the rich, the poor far too ugly for carnal experience. Filthy bastard dreams of discharge, they chuckled into their notes, their own genitals sterile in the vacuum of their underwear.

11. Happy Ever After

It had been his dream since youth: a Chinese restaurant. Didn’t have a Chinese bone in his body – just Scotch/English with Fallen Catholic parentage – but neither did Uncle Ben. That’s what his mother had said, the subtly racist implication being that to be Chinese was of no fundamental or necessary value (to wit: was essentially a purely linguistic – rather than characteristic – distinction of occidental construction that required no grounding in Chinese history, culture or demography and was at best a determination in the culinary sense and certainly not resultant of any birthright either jus soli or jus sanguinis in claim). Uncle Ben was purportedly the African-American agricultural whizz of rice growth, the Johnny Appleseed of perennial cereals and starches, who – bow-tied! be-suited! – transcended his slave status and attained self-endorsed (but US government approved) nationalized Chinese status through generalized Western culinary interpretations of oriental food aspects, through sweet and sour sauce production and the parboiled rice commodity; he could do it because he – that grin!, the grin that would be inappropriate or even perverse or doltish on a younger guy, an arrestable doped grin exemplifying in its gentle inanity the reasonable suspicion to justify unwarranted police interference if facially present on an African-American youth circa the present, etc. – was of the west, rendered so by the punishing capitalist regime of nutritious worldwide suppertimes, because he (the generic he, as in: the royal we) made the narrative. His mother and he had eaten chow mein several times a week and lost themselves in its soy sauce. At night he dreamed of water chestnuts and pak choi, of incisions in his skin that in an uncanny act of will poured noodles into the world, all stir-fried and plated up as they hastily emerged from a handful of newly tailored orifices labelled with intricate Chinese characters whose meanings eluded him. If as the old adagial concoction goes ‘there are two loves in every man’s life’ (or something to that polygamous effect, although the love can of course refer to both a symbolic and/or intellectual and/or abstract – and as such pertaining to the intangible and the non-anthropic – understanding of the terminology, as well as a physical even carnal allusion to the material male/female binary), then Chinese cuisine was one of them. The other was the music of the Beatles. He chose to play “A Day in the Life” at his poor mother’s funeral; towards the end of the song the vicar looked nauseous, and barked in the last thirty seconds to the tape operator, “turn it off; please turn it off immediately,” and the silence that filled the space left by the disorientating loop was incredibly uncomfortable. The vicar’s face was streaked with blood vessels and small pools of saliva had gathered angrily in the corners of his mouth which he wiped on the sleeve of his vestments. He had expected a hymn for the end of the service but the son chose “Julia”, his mother’s name. It was unorthodox, even more so because of the preserved body that was displayed by the altar standing – or rather mounted – upright in a climate-controlled glass case like V. I. Lenin and overseeing the whole ceremony with a cold and imperceptibly crooked stare (he had not wanted the eyelids to be stitched carefully together as most people do, haunted as they were by the perceived fundamental life and essence – the real memories – associated with that most personal organ, but irrespective of technique or protocol or any kind of cadaverous semblance of personhood or morality, embalmers simply could not prevent the decomposition of the soft tissues of the two organic eyeballs, so he had requested instead the use of two pretty artistically convincing glass eyes in a considered shade of blue that unfortunately didn’t sit quite right in the orbit and drooped some with the death of the whole thing beneath lids tacked discreetly to the skin immediately above and below). Inside the case she was looped onto an industrial steel bar at three key points up the length of her body, and the conditions were monitored by sensors and required a constant temperature of 16˚C with an 80-90 per cent humidity to prevent decomposition, and daily he had to moisturise the features and inject further preservatives on top of the already performed arterial and cavity embalming. They were rituals he would soon absorb into his own daily routine and even look forward to, and he felt a real closeness to his mother as he carefully undertook these ablutions for her and eased the hypodermic under her clothes with an almost erotic tenderness. Everyone agreed that at fifty-five she had died too young. At the end of the funeral a couple of the mourners, people who he didn’t recognise but who seemed to know his mother quite well, helped him lift his mother in the large glass case onto a flat-bed trolley and wheel her into the car park; a wedding party was arriving over the street and when they saw his mother their eyes burned with hatred and also sadness. They shifted her into the back of a minibus taxi which had the seats removed at his instruction and strapped some lengths of rope around the case to hold it in a steady position, and he left after cursory handshakes, the taxi ride strained and unpleasant. With the payoff from her life insurance policy he decided to open a Chinese takeaway in the suburbs, as both he and his mother had always known he would, in memoriam. It was an unspoken agreement between them that exemplified their shared passion for both the sweet and the sour, and through a combination of the takeaway restaurant – a lasting remembrance of past dinners enjoyed – and the companionship of his mother’s preserved dead body he thought it would be as though she had never died at all. He bought the premises outright and moved into the flat above the takeaway space below. It had been a kebab shop before that, and the vendors had agreed to leave him some of the kitchen equipment: stainless steel refrigerators, hot plates, a large glass fronted counter, a griddle still congealed with the encrusted fat of a thousand shish kebabs and discount patties. He cleaned it all up as best he could and kitted out the kitchen area behind with eight-hob ranges and deep fat fryers and two or three microwave ovens. He called the place ‘We Can Wok It Out’, his hand-painted signage combining staples of Chinese marketing – pagoda, oriental-styled Latinate lettering, wok, Chinese characters of indeterminate meaning – with a part-convincing silhouette of the fab four themselves. The name had just come to him one night: ‘We Can Wok It Out’. It’s a brilliant pun, he thought, and laughed when the sign was erected above the window. He had no menus or chefs in place for the grand opening because he didn’t know anything about Chinese cuisine apart from that he loved the taste of those Uncle Ben’s sauces and Vesta chow mein’s with the crispy noodle topping. The opening of the Chinese restaurant was about something far more personal and complex than the provision of Chinese food to paying customers; it was a chance for his mother and he to still be together. With his preserved mother’s corpse overlooking the barren counter and the empty spotless kitchen – a Fu-Manchu moustache drawn meticulously onto her unyielding formaldehyde features and her skin lovingly yellowed-up with restorative artistes L’Oreal and a tailor-made cheongsam tied in loose knots at the back, in front of the industrial steel mounting bar – it reminded him of the old times. What greater mark of respect to both his mother’s short life and to western notions of the orient could there be? No crowd gathered as first he unlocked the door. He just played Beatles tapes on an old two-deck tape recorder and spoke to his mother’s body, and would later heat up a couple of Uncle Ben’s meals of rice and sauce in the microwaves. “There is peace in these tiles,” he said to her preserved self. “And something grandiose in the sterility of unused caterers’ stainless steel. Surfaces that shimmer in strip fluorescence.” He wept as he spoke because of the perfection. Some groups of teenagers had started lingering outside as the evening went on; they peered through the window at the yellowed-up dead body and squealed with equal parts excitement and disgust, then disappeared only to show up again later with parents, who came into the takeaway and told him that he was sick and that what he was doing was wrong and that they would have him closed down because of health and safety, and he nodded at their points and listened to his Beatles tapes and eventually they left him to it and swore as they closed the door behind them. At nine o’clock he put two Chinese microwave meals into heat, then carefully spooned the scalding food onto two plates, one each for him and his mother. He opened up the glass case in which her body was mounted and unfastened her from the supporting steel bar. She slumped forwards into his arms and he propped her into a soft chair; when she looked comfortable he parted her cold lips and put a forkful of the sweet and sour chicken into her mouth. Of course it just stayed there unchewed and unswallowed, then fell in hot lumps down her frontage. He watched her and had a forkful of the food himself. It tasted really delicious. “Different worlds,” he said, because things had changed some but were really the same as well. That was just how things were. He held his mother close to him and they ate the food together.